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  1. 8 ott 2024 · In una delle scene poi tagliate, in compagnia di Harvey Keitel – Volontè sarà poi sostituito da Erland Josephson, attore amato da Ingmar Bergman e Andrej Tarkovskij – Volonté cammina in uno scenario di guerra a Sarajevo e riferendosi a una cineteca da salvare e di conseguenza al cinema dice: «Era tutta la mia vita».

  2. 2 giorni fa · Erland Josephson, who played Isak, described his performance as a stereotyped portrayal of a Jew, but with mystical and tragic elements, drawing on Jewish people and their history. [81] Hayes argued that with its take on "time and space", the story hinted at Jewish mysticism and the Kabbalah.

  3. 23 set 2024 · Liv Ullmann als Marianne und Erland Josephson als Johan überlebten ihre Ehe schon innerhalb der ursprünglichen „Szenen“ um Jahre und ein paar neue Partner, ohne voneinander lassen zu können.

    • Marcus Hladek
  4. 1 ott 2024 · Erland Josephson. New 4K Restoration! NOSTALGHIA is Andrei Tarkovsky’s brooding late masterpiece, a darkly poetic vision of exile. It was the first of his features to be made outside of Russia, the home to which he would never return.

  5. 23 set 2024 · Volontè: L'uomo dai mille volti, la recensione del documentario sul grande attore. A poco più di 30 anni dalla prematura scomparsa, Francesco Zippel ci consegna un ritratto essenziale e toccante ...

    • Francesco Zippel
    • Daniela Catelli
  6. 29 set 2024 · The film’s setting (the Baltic island of Gotland), cinematographer (Sven Nykvist), and leading actor (Erland Josephson) were all borrowed from Ingmar Bergman, but the central dwelling is of a piece with the many Russian dachas in Tarkovsky’s work – a final reconstruction pitched on the brink of destruction."

  7. www.closeupfilmcentre.com › film_programmes › 2024CLOSE-UP | The Sacrifice

    29 set 2024 · The film’s setting (the Baltic island of Gotland), cinematographer (Sven Nykvist), and leading actor (Erland Josephson) were all borrowed from Ingmar Bergman, but the central dwelling is of a piece with the many Russian dachas in Tarkovsky’s work – a final reconstruction pitched on the brink of destruction."