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  1. 2 giorni fa · In his view, Shakespeare suggests that love requires the risk of death. Love achieves force and direction from the interweaving of the life impulse with the deathward-release of sexual tension. He also viewed the play as suggesting that the healing force of love is connected to the acceptance of death, and vice versa. [53]

  2. 8 ott 2024 · Both of these versions simplify the plot slightly but stay true to the core of this magical love story. There is also a version choreographed by John Neumeier, which premiered in 1977. William Shakespeare’s A Midsummer Night’s Dream: The Opera A Midsummer Night´s Dream at the 19th Beijing Music Festival, 2016. Source: Wikimedia Commons

  3. 27 set 2024 · Jealous of Othello’s success and envious of Cassio, Iago plots Othello’s downfall by falsely implicating Othello’s wife, Desdemona, and Cassio in a love affair. With the unwitting aid of Emilia, his wife, and the willing help of Roderigo, a fellow malcontent, Iago carries out his plan.

    • David Bevington
  4. en.wikipedia.org › wiki › OthelloOthello - Wikipedia

    4 giorni fa · Shakespeare's primary source for the plot was the story of a Moorish Captain (third decade, story seven) in Gli Hecatommithi by Cinthio (Giovanni Battista Giraldi), a collection of one hundred novellas about love, grouped into ten "decades" by theme. [1] The third decade deals with marital infidelity. [2]

    • William Shakespeare
    • 1941
  5. 4 ott 2024 · In Shakespeare's A Midsummer Night's Dream, love makes people do foolish and silly things. Love makes people angry, but love allows people to forgive.

  6. 2 giorni fa · The story is typical romance. Shakespeare adds touching scenes of reunion and a perception that beneath the naive account of travel lies a subtle dramatization of separation, loss, and recovery. Pericles is deeply burdened by his loss and perhaps, too, a sense of guilt for having consented to consign his wife’s body to the sea.

  7. 24 set 2024 · Shakespeare in Love centres on the theatrical and historical premise that Elizabethan women were forbidden by law from acting on the public stage. A key plot in the play is that Viola’s acting ambitions result in her impersonating the opposite gender to join the company of actors.

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