1953
Risultati di ricerca
Atraco a las tres es una película dirigida por José María Forqué con José Luis López Vázquez, Cassen, Gracita Morales, Manuel Alexandre .... Año: 1962. Título original: Atraco a las tres. Sinopsis: Galindo, un infeliz soñador, trabaja como cajero en una sucursal bancaria.
- España
- Alejandro Ulloa (B&W)
- José María Forqué
Robbery at 3 O'clock: Directed by José María Forqué. With José Luis López Vázquez, Cassen, Gracita Morales, Katia Loritz. Galindo works in a bank. One day he convinces the other employees in the bank to plan a hold-up in the bank they are working. They prepare everything carefully.
- (1,4K)
- Comedy
- José María Forqué
- 1965
Atraco a las tres è un film spagnolo del 1962 diretto da José María Forqué. Il titolo tradotto in italiano sta per Rapina alle tre.
Atraco a las tres (Robbery at 3 o'clock) is a 1962 Spanish comedy film directed by José María Forqué. Critic Diego Galán of El País described it as a magnificent farce and one of the best Spanish comedies. It is inspired by Mario Monicelli's masterpiece Big Deal on Madonna Street.
Fernando Galindo, el cajero de un banco, consigue convencer a sus compañeros de trabajo para desvalijar su propia sucursal fingiendo un atraco tras el despido de don Felipe, su estimado director, y para resarcirse de sus sueldos miserables y malas condiciones laborales.
Play Trailer. Overview. Galindo works in a bank. One day he convinces the other employees in the bank to plan a hold-up in the bank they are working. They prepare everything carefully. However, real robbers come just before the fake ones. Vicente Coello. Screenplay, Story. José María Forqué. Director. Rafael J. Salvia. Writer. Pedro Masó. Writer.
Atraco a las tres. Directed by. José María Forqué. Spain, 1962. Comedy. 92. Synopsis. Galindo works in a bank. One day he convinces the other employees in the bank to plan a hold-up in the bank they are working. They prepare everything carefully. However, real robbers come just before the fake ones. Synopsis. Galindo works in a bank.
