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19 apr 2013 · In tales like “The Prisoner of the Caucasus,” he presents Muslim rites journalistically, as curiosities that are sure to pique the interest of readers in Moscow and Petersburg.
The story’s title refers both to Rubachin and to the Caucasian that he takes prisoner on his way through the Caucasus to complete the task that he has been given, together with Vovka the rifleman. The Caucasian prisoner is a boy at the age of 16-17, with long, black curls, just like Lermontov’s Caucasian prisoner, Bela.
29 mag 2021 · Цезарь Антонович Кюн -- Кавказский пленник, опера -- 1882 -- переложение для одного фортепьяно (Г. Дютша ...
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- Lyle Neff
31 lug 2023 · Abstract:This article examines the "Prisoner of the Caucasus" story as it has evolved over the past two centuries, culminating in a discussion of Aleksei Uchitel's 2008 film Captive (Plennyi). As part of its analysis it will use the concept of "scapegoating" in modern war literature as described by David A. Buchanan in Going Scapegoat: Post-9/11 War Literature, Language and Culture. According ...
Michail Ler-montov’s influential novel, A Hero of Our Time, from 1840, is set in the Caucasus. There the Circassian girl Bela is taken prisoner by the main protagonist, the Russian officer Pecorin. There are echoes of this novel in Makanin’s story. It is not a coincidence that his next work is the novel Underground Or A Hero of Our Time (1998).
prisoner has resonated so long with audiences despite the establishment of a firm stronghold in the south. My goal in this context is not to rehearse the story of the "conquering vic-tim," discussed by historian Richard White (1991) and many others, but to analyze instead the remarkable persistence of the "good prisoner" symbol. As the taste for
15 apr 2015 · I. Pushkin (1799-1837) Alexander Pushkin’s poem Prisoner of the Caucasus romanticizes Caucasian-Russian cultural conflicts. In this both highly imaginative and erudite poem, Caucasian traditions and cross-cultural interactions are witnessed through the eyes of a Russian captive who is characterized more as a confined spectator than as a prisoner.
