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430: Introduction to Film & Television Writing is required for all MFA screenwriting students and must be taken in the Fall Quarter of the student’s first year. Students must take a minimum of two graduate-level Cinema and Media Studies courses. Students must also take FT 210 Viewing and Reading Media in the Fall Quarter of their first year ...
These courses afford the student an opportunity to work one-on-one with faculty mentors, allowing the student to pursue targeted interests in aesthetic or technical subjects. Cinematography students also serve as the director of photography on projects written and directed by students specializing in the Production/Directing MFA specialization.
The UCLA School of Theater, Film and Television draws upon industry leaders for its faculty and mentors. Storytelling is at the heart of our curriculum, and our talented faculty members have won many meaningful, artistic accolades in the performing and visual arts. Our professors and renowned visiting industry professionals are ready to guide ...
College students and aspiring filmmakers (ages 18+) collaborate on short film projects as they learn the aesthetics, techniques and practice of filmmaking from beginning to end. Six weeks. Session A (June 24 – August 2, 2024); Session C (August 5 – September 13, 2024) Learn More.
Explore the departments and programs that make up the legendary UCLA School of Theater, Film and Television. Academics Film, Television and Digital Media The Department of Film, Television and Digital Media provides professional and scholarly approaches to the study of media and helps students discover their power as independent artists and communicators.
Martin Scorsese was born in 1942 in New York City and was raised in the neighborhood of Little Italy, which later provided the inspiration for several of his films. He graduated with degrees in film communications, a B.S. in 1964 and an M.A. in 1966, from New York University’s School of Film. During this time, he made numerous prize-winning ...
Professor Ellen C. Scott, Ph.D., specializes in media history, African-American cultural history, film and media theory, American film history, sound theory, the history of censorship and cultural studies. Her research focuses on the cultural meanings and reverberations of film in African-American communities and, more broadly, the relationship of media to the struggle for racial justice ...
