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19 feb 2021 · Mai Zetterling 1925-1994. The Swedish actress and film director Mai Zetterling was born in Västerås in 1925. Having established herself as a popular actress in Swedish film, Zetterling moved to England where she acted in several films, among them 'Only Two Can Play' (1962) with Peter Sellers.
Mai Zetterling fotograferad av K.W. Gullers, 1948. Mai Elisabeth Zetterling, född 24 maj 1925 i Västerås, död 17 mars 1994 i London, Storbritannien, var en svensk skådespelare, författare, manusförfattare och filmregissör. Hon har regisserat filmer som Älskande par (1964), Nattlek (1966), Flickorna (1968) och Amorosa (1986).
Mai Zetterling (Mai Elizabeth Zetterling) è un'attrice svedese, regista, è nata il 24 maggio 1925 a Västerås (Svezia) ed è morta il 17 marzo 1994 all'età di 68 anni a Londra (Gran Bretagna). Nel 1947 ha ricevuto il premio come premio biennale per speciali meriti artistici al Festival di Venezia per il film Spasimo. Trascorse parte della ...
Mai Elisabeth Zetterling ( Shqiptimi në suedisht: [ˈmajː ˈsɛ̂tːɛˌɭɪŋ]; 24 maj 1925 – 17 mars 1994) [1] ishte një aktore, romanciere dhe regjisore suedeze. Zetterling lindi në Västerås, Suedi në një familje të klasës punëtore. [2] Ajo e filloi karrierën e saj si aktore në moshën 17-vjeçare në Dramaten, teatri ...
19 mar 1994 · Mai Zetterling, the Swedish actress who went on to a career as one of Europe's busiest female film directors, died on Tuesday in London. She was 68 and had homes in London and in Banne, France.
Swedish. The Girls ( Swedish: Flickorna) is a 1968 Swedish drama film directed by Mai Zetterling, starring Bibi Andersson, Harriet Andersson and Gunnel Lindblom. It is a feminist reinvention of the ancient Greek play Lysistrata by Aristophanes, and revolves around a theatre group which sets up the play. In 2012, the film was voted one of the 25 ...
In this insightful book, Larsson—the leading Zetterling expert for 20 years—provides international readers with a crucial correction to this omission. A Cinema of Obsession gives a delightfully detailed account of Zetterling’s entire career as a director. Zetterling’s paradoxical position in film history serves as the starting point and ...
