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A New Look at Zarlino's Theory and its Effect on his Counterpoint Doctrine1 by David P. Goldman Hugo Riemann hailed Gioseffo Zarlino as the discoverer of triadic harmony, music historians have attributed the first modern description of the major and minor triads to Zarlino's Istitutione harmoniche (1558).2 Recent writers, howev-
Gioseffo Zarlino (Chioggia, 31 de gener o el 22 de març de 1517 - Venècia, 4 de febrer de 1590) va ser un compositor i, sobretot, un teòric de la música del Renaixement, el més important des d' Aristoxen de Tàrent fins a Rameau. La seva contribució destaca especialment en el camp del contrapunt i de l' afinació dels instruments.
Gioseffo Zarlino (2015/2019) by Marc Sabat & the Harmonic Space Orchestra, released 15 October 2020 1. Gioseffo Zarlino (2015/2019) Marc Sabat's Gisoeffo Zarlino is "the third in a series of pieces inspired by ideas in the history of music theory, which I seek to experience and unfold in a sounding world" (taken from the liner notes by the composer).
Le istitutioni harmoniche di M. Gioseffo Zarlino da Chiogga, nelle quali oltra le materie appartenti alla musica, si trovano dichiarati molti luoghi vedere. Composer Zarlino, Gioseffo: I-Catalogue Number I-Cat. No. None [force assignment] First Pub lication. 1558 Language Italian Dedication Vicenzo Diedo Composer Time Period Comp. Period ...
His time, his work, his influence edited by Jonathan Pradella Venezia, Edizioni Fondazione Levi, 2022, pp. 475 Antiquae Musicae Libri, 3 ISBN 978-887552-067-0 Volume completo in PDF
Gioseffo Zarlino nacque a Chioggia nel 1517, probabilmente il 31 gennaio, da Giovanni e Maria de' Zarlini giunti a Chioggia da Alessandria. La sua infanzia fu molto influenzata dalla personalità di Fra Paolo (al secolo Giovanni Barbieri), primo padre cappuccino veneto che ebbe un ruolo importante nella riforma della Congregazione.
Gioseffo Zarlino (31 January or 22 March 1517 – 4 February 1590) was the leading music theorist of his day, based in Venice – which was the most powerful European city-state at the time. One day, at an exhibition of Venetian art in Portland, Oregon – they just happened to be displaying Zarlino’s book Le Istitutioni Harmoniche , opened to page 104:
