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  1. Haskell Wexler (February 6, 1922 – December 27, 2015) is an American cinematographer, producer, and director. Wexler was judged to be one of film history's ten most influential cinematographers in a survey of the members of the International Cinematographers Guild.

  2. 27 dic 2015 · Cinematographer Haskell Wexler, the Oscar winner who lensed Who’s Afraid of Virginia Woolf? and One Flew Over the Cuckoo’s Nest, has died. He was 93.

  3. 28 dic 2015 · Haskell Wexler, influential cinematographer who won Oscars for “Who’s Afraid of Virginia Woolf?” and “Bound for Glory,” died Sunday, his son said. He was 93.

  4. Haskell Wexler was an American cinematographer, film producer, and director. Wexler was judged to be one of film history's ten most influential cinematographers in a survey of the members of the International Cinematographers Guild. He won the Academy Award for Best Cinematography twice, in 1966 and 1976, out of five nominations. In his obituary in The New York Times, Wexler is described as ...

  5. Although cinematographer Haskell Wexler was a notoriously difficult man to work with, fired twice in the space of two years at the peak of his profession, you’d never know it from the astonishing list of directors he shot films for over the course of his 60 years behind the camera: Mike Nichols, John Cassavetes, Hal Ashby, John Sayles, Elia ...

  6. Editor's Note: Haskell Wexler, who died yesterday at age 93, was a great and groundbreaking filmmaker, as well as a social activist; when he wasn't shooting commercials and lavishly funded Hollywood features for other directors, he directed his own documentaries that drew attention to labor conflicts and the problems of the poor and disenfranchised in the United States and overseas.

  7. 28 dic 2015 · The late Haskell Wexler won an Oscar in the Black-and-White Cinematography category. The category was eliminated, making this the last film to win. Despite the ugliness of the story and even Elizabeth Taylor's Oscar-winning performance as the vulgar Martha, if you look at the lighting and the composition, you only see beauty.