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  1. Peter Keough Boston Globe With "Too Late," Hauck confirms that he's a master of the film medium. What's less convincing is why this film matters. Rated: 2.5/4 May 5, 2016 Full Review Leah Pickett ...

    • (34)
    • Drama, Mystery & Thriller
  2. 18 mar 2016 · Advertisement. This is arguably a long-winded way to introduce a HEAVILY Tarantino-influenced film that tries to outdo Tarantino in the structural ingenuity department. The movie doesn’t even come close to succeeding, and teeters on the brink of out-and-out disaster at several junctures. But as failures go, it’s more interesting than most.

  3. Featuring stunning 35mm cinematography that pushes the limits of what can be accomplished with a roll of film, and with a gut-wrenching, tour-de-force performance by John Hawkes, Too Late tells the story of a missing woman, but paints the portrait of a lost man. Private investigator Mel Sampson, (John Hawkes) is tasked with tracking down the ...

  4. Trailer del film Too Late (2015) regia di Dennis Hauck, con John Hawkes, Crystal Reed, Robert Forster, Natalie Zea, Jeff Fahey, Joanna Cassidy. Cinema {{provincia}} Accedi account_box Esci

    • 107 min
  5. Cast completo Too Late (2015) | Guarda l'elenco di attori e registi del film diretto da Dennis Hauck con John Hawkes, Crystal Reed, Dichen Lachman, Natalie Zea

  6. Too Late is like if a De Palma fan, a Tarantino fan and a Paul Schrader fan all got together and made a film, only the three fans were all aliens with no idea how human beings talk. The dialogue is pseudo-philosophical bullshit, and the rest of the film is a hodgepodge of LA clichés while scenes play out in self-masturbatory long takes where the camera feels like its on a leash.

  7. Too Late is like if a De Palma fan, a Tarantino fan and a Paul Schrader fan all got together and made a film, only the three fans were all aliens with no idea how human beings talk. The dialogue is pseudo-philosophical bullshit, and the rest of the film is a hodgepodge of LA clichés while scenes play out in self-masturbatory long takes where the camera feels like its on a leash.