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The film was made in London in mid-1976. Lynne Frederick had known director Pete Walker since she was 14 years old (her mother was a friend and co-worker of Walker). However, Schizo is the only film that they worked on together.
I can handle the truth. Review by Bronze_Tiger ★★★. Pete Walker, director of “The Flesh and Blood Show,” has a knack for casting beautiful women—first, Luann Peters in the early 70s; then, Lynne Frederick. “Schizo” finds Frederick being chased by a stalker. Meanwhile, people pop up dead everywhere.
When the left hand doesn’t know who the right hand is killing!! A recently-married woman who has been labeled as mentally unstable, begins to suspect that someone close to her is the culprit in a sudden string of murders. Horror, the undead and monster classics Thrillers and murder mysteries Gory, gruesome, and slasher horror Twisted dark ...
Schizo is a 1976 British psychological horror slasher film directed and produced by Pete Walker and starring Lynne Frederick. Samantha Gray (Lynne Frederick), a famous figure skater, is engaged to London businessman Alan Falconer (John Leyton). On the day of Alan and Samantha's wedding, ex-convict William Haskin (Jack Watson) begins stalking Samantha. Over the next few days, Haskin terrifies ...
Schizo is a 1976 horror film directed by Pete Walker. A newly married woman (Lynne Frederick) is tormented by visions of a strange man stalking her, and various other occurrences. But, is she just going crazy, or is the strange man really there? And does the man have anything to do with the black-gloved killer offing people around her?
Written by Wuchak on October 19, 2022. Winsome Lynne Frederick is stalked by an obsessed man on the ugly side of London. A recently-married woman who has been labeled as mentally unstable, begins to suspect that someone close to her is the culprit in a sudden string of murders.
17 apr 2020 · Schizo was the very first Walker directed film that I saw, rented from a tiny VHS rental shop situated in the basement of the large offices in which I took my first job as a teenager. As a devoted fan of classic horror, particularly Hammer, and a nervous fan of the more visually violent slasher phenomenon I was unprepared for what seemed like an unholy matrimony of the two.
