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  1. Adele Schopenhauer. Johanna Schopenhauer (née Trosiener; 9 July 1766 – 17 April 1838) was the first German woman to publish books without a pseudonym, an influential literary salon host, and in the 1820s a popular author in Germany. She was also the mother of the German philosopher Arthur Schopenhauer .

  2. Johanna Schopenhauer, nata Trosiener (Danzica, 9 luglio 1766 – Jena, 17 aprile 1838), è stata una scrittrice e poetessa tedesca. Fu madre del filosofo Arthur Schopenhauer e della scrittrice Adele Schopenhauer .

  3. Luise Adelaide Lavinia Schopenhauer, coneguda com Adele Schopenhauer ( Hamburg, 12 de juliol de 1797 - Bonn, 25 d'agost de 1849 ), va ser una autora alemanya. Era filla de l'escriptora Johanna Schopenhauer i germana del filòsof Arthur Schopenhauer. Henriette Sommer i Adrian van der Venne eren pseudònims que va fer servir.

  4. The probably last privately owned silhouette album created by Adele Schopenhauer, all other recorded examples being in public collections (several in the

  5. Luise Adelaide Lavinia Schopenhauer, known as Adele Schopenhauer (12 July 1797 – 25 August 1849), was a German author. She was the sister of the philosopher Arthur Schopenhauer and daughter of author Johanna Schopenhauer. Henriette Sommer and Adrian van der Venne were pseudonyms used by her. Adele Schopenhauer was born in Hamburg to Heinrich ...

  6. Schopenhauer: Louise Adele S. war eine Tochter des 1793 von Danzig nach Hamburg verzogenen Kaufmanns Heinrich Floris S. und seiner Gattin Johanna S. (s. u.) und am 12. Juni 1797 in Hamburg geboren. Im J. 1803 unternahmen ihre Eltern eine große Reise durch Europa, während welcher die Tochter in ihrer Vaterstadt zurückblieb, und erst 1806 trafen alle Glieder der Familie wieder zusammen.

  7. Adele Schopenhauer, the philosopher’s sister and daughter of the successful novelist Johanna, was a writer and an artist as well, but her production in both fields remains little known, partly because she often used pseudonyms. This essay wants to take a closer and in many cases first look at parts of her work from the 1820s on.