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26 set 1986 · Ga-ga: Glory to the Heroes: Directed by Piotr Szulkin. With Daniel Olbrychski, Jerzy Stuhr, Katarzyna Figura, Mariusz Benoit. In the 21st century, prisoners aboard penitentiary space ships explore unknown worlds.
4 apr 2022 · The film is largely a political parable from the period - a tale of an odd regime that is more outlandishly surreal than dismally oppressive - but it holds up outside it, and works beyond it. It does not have significant presence on the English-speaking Internet, but there is a longer review online here , and here is a scene which ...
Directed by Piotr Szulkin. Hard to be a Hero. Scope is a prisoner on a behemoth space station and is chosen, like all his fellow prisoners, to ‘volunteer’ for the exploration of far-away planets. Landing on planet Australia 458, he is given a hero’s welcome with all the sex, booze, and violence that any one man can stomach.
6 mar 2024 · KASKcinema. Tickets. 6 euro. 4 euro. 20.03.24, 20:30, Ga-ga: Glory to the Heroes (1986) Like a rogue UFO, cult film festival Offscreen hijacks this Weird Wednesday edition with Ga-Ga: Glory to the Heroes. In this darkly comic political satire, convicted felon Scope exchanges his sentence to be conscripted as a space explorer.
Ga-ga: Glory to the Heroes (1986) 09/26/1986 (PL) Science Fiction , Comedy , Horror , Drama 1h 24m. User Score. What's your Vibe ? Login to use TMDB's new rating system. Welcome to Vibes, TMDB's new rating system! For more information, visit the contribution bible. Play Trailer. Hard to be a Hero. Overview.
GA-GA: GLORY TO THE HEROES is a return to the satirical absurdity of WAR OF THE WORLDS: NEXT CENTURY, with its dagger sharp media commentary. Like WAR OF THE WORLDS: NEXT CENTURY, the film implicates the passive spectator of televised entertainment.
Ga, Ga: Glory to Heroes. Sci-Fi Visionary: Piotr Szulkin. Ga, Ga: Glory to Heroes - Ga, Ga - Chwala bohaterom. Piotr Szulkin. This film has no current screenings. Piotr Szulkin. 1986. Poland. Polish with English subtitles. 84 minutes. Resistance is futile in Szulkin’s stunningly nihilistic dystopian satire.
