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  1. The Definitive Guide. Cinéma du Look is a visual feast of style, a film movement that emerged in France during the 1980s. It’s known for its slick visuals, intense emotions, and young, often alienated characters. In this article, we’ll jump into the heart of Cinéma du Look, exploring its key features and the directors who became its ...

  2. André Bazin's What Is Cinema? (volumes I and II) have been classics of film studies for as long as they've been available and are considered the gold standard in the field of film criticism. Although Bazin made no films, his name has been one of the most important in French cinema since World War II. He was co-founder of the influential Cahiers du Cinéma, which under his leadership became ...

  3. 13 mag 2024 · history of film, history of cinema, a popular form of mass media, from the 19th century to the present. (Read Martin Scorsese’s Britannica essay on film preservation.) Early years, 1830–1910 Origins. The illusion of films is based on the optical phenomena known as persistence of vision and the phi phenomenon.

  4. 25 feb 2022 · What Was the First Feature-Length Film? The first feature-length film is often erroneously credited to D.W. Griffith's horribly racist The Birth of a Nation in 1915. Yet despite the incredible techniques Griffith used in the film, it's not the true first. In fact, the first feature-length film didn't hail from Hollywood or even America at all.

  5. University of California Press, 2005 - Literary Criticism - 226 pages. André Bazin's What Is Cinema? (volumes I and II) have been classics of film studies for as long as they've been available and are considered the gold standard in the field of film criticism. Although Bazin made no films, his name has been one of the most important in French ...

  6. MYmovies.it - Il cinema dalla parte del pubblico

  7. Cinema adds duration, the “mummification of change”, which Bazin understands in a Bergsonian sense. Cinema thus snatches reality from the flow of time, halts the inherent decay of that flow, and incorporates it into a moment—the moment of its projection— that is not its original time and that can be revisited ad infinitum.