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Thomas Leo McCarey (October 3, 1898 – July 5, 1969) was an American film director, screenwriter and producer. During his lifetime he was involved in nearly 200 movies, especially comedies. French director Jean Renoir once said that "Leo McCarey understood people better than any other Hollywood director."
15 dic 2002 · THE director Leo McCarey would have earned immortality just for putting Laurel together with Hardy. But in ''Duck Soup,'' he also constructed a cinematic world that was mad enough for the Marx ...
Leo McCarey (1896-1969) Leo McCarey was an award-winning film director, producer and writer. He was one of the first to see the comic possibilities of pairing Stan Laurel and Oliver Hardy and he worked with them on many films. He also worked with the Marx Brothers, W.C. Fields, and George Burns and he is well known for his screwball comedies ...
15 feb 2022 · McCarey brings society’s double standard to the forefront from the opening scene of Love Affair.A man gains international acclaim for his sexual escapades, yet a woman must avoid any sort of publicity about her own romantic relationships—hence the scene where Michel opens the camera and Terry “accidentally” tosses the plate overboard after the ship’s photographer has snapped them ...
Leo McCarey "Irreverence and a blithe, refreshing disregard for the conventions of a genre characterized the work of McCarey, one of America's golden men of the 1930-1945 period... He made wild comedies of character full of lovely telling moments - comic, touching or exciting - and even the weepies, although maudlin by today's tastes, brim with warmth and humour."
Leo McCarey, who had left the Hal Roach Studio in 1929 to become a freelance director, made films for several independents including Joseph Schenck (Indiscreet, 1931) and Sam Goldwyn (The Kid From Spain, 1932). McCarey hit pay dirt at Paramount directing the Marx Brothers in Duck Soup (1933), and at Columbia with the blockbuster The Awful Truth ...
The Awful Truth. In this Oscar-winning farce, Cary Grant (in the role that first defined the Cary Grant persona) and Irene Dunne exude charm, cunning, and artless affection as an urbane couple who, fed up with each other’s infidelities, resolve to file for divorce. But try as they might to move on, the mischievous Jerry can’t help meddling ...
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