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  1. 28 apr 2017 · Silvio Raffo. Novel. Andrew Shaw. Screenplay. Reviews 1. Discussions 2. 60. Written by Reno on September 8, 2017. Verena is a nurse who arrives at an old mansion in Italy to help a young boy who has fallen silent since the sudden passing of his mother.

  2. El veredicto. Si bien Voice From the Stone no te hará brincar del asiento, es una película sumamente intrigante. Sin embargo, su guión se desenvuelve de forma lenta y esto puede ser aburrido ...

  3. 18 ago 2017 · I’m sure a lot of horror fans feel the same way. Which brings us to today’s film. The movie Voice from the Stone takes place in the 1950s and centers on the nurse Verena, (Emilia Clark), who tends to specialize in helping troubled children. Her latest job brings her to mansion in Tuscany, Italy. She’s hired by a widower whose wife ...

  4. Review by Dawson Joyce ★★½ 1. The expressive Emilia Clarke is a delight to look at and delivers a strong lead performance and director Eric D. Howell does a competent enough job at creating a nice Gothic atmosphere, but for a slow-burn suspense piece, Voice from the Stone unfortunately isn't suspenseful enough to justify being a slow ...

  5. Voice from the Stone – Ruf aus dem Jenseits (Originaltitel: Voice from the Stone) ist ein US-amerikanisches Filmdrama mit Mystery- und Thriller-Elementen aus dem Jahr 2017. Er basiert auf dem Roman La voce della pietra ( Voice from the Stone ) des italienischen Schriftstellers Silvio Raffo und wurde in Italien gedreht.

  6. 30 lug 2017 · Italy, 1955. The English nanny Verena takes a new position on the estate of Klaus helping his young son Jakob who has not spoken since the death of his mother Malvina. As Verena becomes aware, Jakob believes he can hear his mother’s voice speaking to him from the stone walls of the house. Both she and Klaus want to help Jakob get past what ...

  7. An ancient castle in Tuscany, lovely adorned in moss-covered stone that gave this film as much texture and character as the story and the acting skill of Emilia Clarke and Martin Cssokas. We live in an age of distraction through smart phones and media and a quick pace of life that impedes our ability to appreciate a true masterpiece.

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