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  1. 10 mag 2011 · A Show of Hands sums up Rush’s last four albums: Signals, Grace Under Pressure, Power Windows, and Hold Your Fire. Not a body of work the band will be remembered for when all is said and done, but each has its share of good tracks, which the band slices from their original source with a surgeon’s skill. On stage, Geddy Lee splits his time ...

  2. A Show of Hands. By Michael Azerrad. April 20, 1989. Although their fans treat the three members of Rush as if they were the Holy Trinity, the band chose the theme of another threesome — the ...

  3. For the album version of this release see Rush - A Show Of Hands The first pressings of the LaserDisc version contained the extra track "Lock and Key" that opened side 2. On the US release the covers to both versions were identical and both listed "Lock and Key" as Track 9. It may be possible to distinguish them, however.

  4. A Show of Hands, an Album by Rush. Released in January 1989 on Anthem (catalog no. ANRA-1-1055; Vinyl LP). Genres: Progressive Rock. Featured peformers: Geddy Lee (vocals, bass, synthesizer), Alex Lifeson (guitar, synthesizer, backing vocals), Neil Peart (percussion), Rush (producer), Paul Northfield (engineer), Rick Andersen (mixing assistant), Bob Ludwig (mastering engineer), Brian Lee ...

  5. For a band with high standards, a perfect show is impossible, and an excellent show is rare. You hope that the norm is "good". To deliver a really exceptional, comfortable performance before a recording truck or film crew has been our unfulfilled dream of many years. Always it seemed that as soon as the machines started rolling, we forgot how to play and our equipment forgot how to work. But ...

  6. 1 gen 1989 · Listen to A Show of Hands (Live) [Remastered] by Rush on Apple Music. 1989. 15 Songs. Duration: 1 hour, 14 minutes.

  7. 22 dic 2011 · Alas, in common with too many other live albums from the era A Show of Hands is simply an exercise in wheeling out performances indistinguishable from the studio renditions of the songs in question bar from the ever-present roar of the crowd (which, to be honest, is mixed far too high for my liking). As other reviewers have pointed out, a lot ...

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