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La Monte Young ) I membri del Theatre of Eternal Music, che cambiò formazione in numerose occasioni, includevano oltre allo stesso Young: Marian Zazeela (voce e gong), il trombettista Jon Hassell , il trombonista Garrett List e, dalla metà degli anni sessanta anche Angus MacLise alle percussioni , Tony Conrad alla bowed guitar e alla mandola , John Cale al violoncello modificato, Walter de ...
2 lug 1993 · Listen free to La Monte Young & the Forever Bad Blues Band – Just Stompin': Live at the Kitchen (Young's Dorian Blues in G, Part 1, Young's Dorian Blues in G, Part 2). 2 tracks (122:20). Discover more music, concerts, videos, and pictures with the largest catalogue online at Last.fm.
Just Stompin': Live at The Kitchen – La Monte Young and the Forever Bad Blues Band (Gramavision, 1993) Trio for Strings (1958) recorded live at the Dia :Chelsea Dream House, performed by Theatre of Eternal Music String Ensemble, four discs and a 32-page set of liner notes (Dia Art Foundation, 2022)
10 feb 2007 · Just Stompin' Live At The Kitchen. La Monte Young & The Forever Bad Blues B (Artist) Format: Audio CD. 3.8 7 ratings.
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Liner Notes – La Monte Young, Robert Palmer (3) Mastered By [Digitally Mastered By] – Chris Muth; Photography By [Cover & Center Booklet Photos] – Jim Conti; Photography By [Jon Catler & Brad Catler Photos] – Anno Dittmer; Photography By [Jonathan Kane Photo] – Wolfgang Träger; Photography By [La Monte Young & Marian Zazeela Photo ...
Just Stompin': Live at the Kitchen, an Album by La Monte Young and the Forever Bad Blues Band. Released in 1993 on Gramavision (catalog no. R2 79 487; CD). Genres: Blues Rock, Microtonal Classical. Featured peformers: Bob Bielecki (recording engineer), Chris Muth (mastering engineer), La Monte Young (composition, liner notes, supervisor), Robert Palmer (liner notes), Marian Zazeela (cover art ...
Composed while riding in a car on a trip from San Francisco to New York City in December 1962, The Four Dreams of China —of which this recording comprises the Second— forms a structural, stylistic and harmonic link between La Monte Young’s earlier, fully notated works composed of long sustained tones from the late ‘50s, and later works combining improvisation with predetermined rules ...
