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  1. Setting. Wild West. Billy the Kid is a 1938 ballet written by the American composer Aaron Copland on commission from Lincoln Kirstein. It was choreographed by Eugene Loring for Ballet Caravan. Along with Rodeo and Appalachian Spring, it is one of Copland's most popular and widely performed pieces. It is most famous for its incorporation of ...

  2. Aaron Copland began sketching his Third Symphony in 1940-41 and completed it in 1946. He had already written three symphonies, the Organ Symphony of 1924 (rewritten without organ as Symphony No. 1 in 1926-28), the Dance Symphony of 1929, and the Short Symphony of 1932-3. Copland considered the Short Symphony his Second, and did not count the ...

  3. Copland: Symphony No. 3 & Billy. ArkivMusic’s new reissue series makes available again select items from the Everest catalog, of which this Copland disc is of particular interest. Aaron Copland’s rather straightforward conducting effectively communicates the grand spirit of the Third Symphony, even if it doesn’t highlight the music’s ...

  4. 7 giu 2018 · Aaron Copland’s name is synonymous with American music. It was his pioneering achievement to break free from Europe and create concert music that is characteristically American. At the same time, he was able to stamp his music with a compositional personality so vivid as to transcend stylistic boundaries, making every work identifiable as his alone. Born in Brooklyn, New York in 1900 ...

  5. Billy the Kid gets a shapely, dramatic interpretation: the initial and closing evocations of the West’s wide open spaces offer grandeur without bombast, while the ensuing episodes follow seamlessly, including a very exciting gunfight. In the symphony, Judd is very much his own man. He catches the simple dignity of the first movement very well ...

  6. 1 lug 2014 · Copland: Billy the Kid Suite - Symphony No. 3. 2xHD: 2XHDNA2030. Buy download online. New Zealand Symphony Orchestra, James Judd

  7. 8 mag 2024 · COPLAND: Symphony No. 3. by Jeff Counts. THE COMPOSER – AARON COPLAND (1900-1990) – For Copland, the late 1930s and early 1940s were years of artistic crystallization. He spent them composing the works that confirmed his status as one of America’s leading musical icons, a position from which he hoped to further legitimize his country’s ...

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