Risultati di ricerca
Edwin Sherin, or Ed Sherin, was a director, executive producer, and an actor on Law & Order. He also directed episodes of Law & Order: Special Victims Unit, Law & Order: Criminal Intent, and Homicide: Life on the Street. Sherin executive-produced 163 episodes of Law & Order between 1993 and 2000. Sherin was married to actress Jane Alexander, with whom he lives in New York City. They have four ...
Edwin Sherin è un regista, è nato il 15 gennaio 1930 a Harrisburg, Pennsylvania (USA) ed è morto il 4 maggio 2017 all'età di 87 anni. Nei suoi 19 anni di carriera come regista ha diretto Io sono Valdez, Glory Boy e Padre Clements. Un'opera prima accurata che riflette sull'identità maschile, con Raphael Quenard grande mattatore.
5 mag 2017 · Edwin Sherin, Director of ‘The Great White Hope’ on Broadway and ‘Law & Order,’ Dies at 87. He also helmed other TV shows and a handful of films and served as DGA national vice president ...
Edwin Sherin was born on January 15, 1930 in Harrisburg, Pennsylvania, USA. He was a producer and director, known for Law & Order (1990), Homicide: Life on the Street (1993) and Law & Order: Special Victims Unit (1999). He was married to Jane Alexander and Pamela Nichol Vevers. He died on May 4, 2017 in Lockport, Nova Scotia, Canada.
4 mag 2017 · Directed by Edwin Sherin. Play Drama Sign Language Original. The Visit (Jan 23, 1992 - Mar 01, 1992) Directed by Edwin Sherin. Play Drama Revival. The Caine Mutiny Court-Martial (May 05, 1983 - Nov 06, 1983) Originally produced by The Hartman Theatre (Edwin Sherin, Producing Artistic Director; Harris Goldman, Executive Director) Play Drama Revival.
Edwin Sherin is perhaps best known for his work as a theater and television director and producer. Sherin started his career in entertainment as an actor in minor roles on stage, ...
Visual History with Edwin Sherin Interviewed by: Larry Auerbach Edwin Sherin discusses his long career including acting and directing on Broadway, producing and directing episodic television like Law & Order and LA Law, his directing techniques like “The Sherin Shot,” and the importance of mentoring the next generation of directors.
