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17 lug 2012 · Un film con Adam Goldberg, Marley Shelton, Vinnie Jones, Eion Bailey, David Beach, Kelly Deadmon . Cast completo Genere Drammatico - USA , 2009 , Consigli per la visione di bambini e ragazzi: +16. Al Box Office Usa (Untitled) ha incassato nelle prime 2 settimane di programmazione 111 mila dollari e 19,1 mila dollari nel primo weekend.
4 nov 2009 · "(Untitled)" picks a fight with its very title, which summarizes the f-you attitude of its hero, a composer of music that sounds like something you'd hear going on in the alley late at night. One of his compositions consists of a chain dropped into a can, a pennywhistle, loudly ripping paper, a bucket being kicked, the screams of a vocalist and squawks on a clarinet. He plays the piano with ...
Untitled Film Still #62. 1977 | MoMA. Cindy Sherman’s Untitled Film Stills is a suite of seventy black-and-white photographs in which the artist posed in the guises of various generic female film characters, among them, ingénue, working girl, vamp, and lonely housewife. Staged to resemble scenes from 1950s and ’60s Hollywood, film noir, B ...
27 mar 2017 · Fig. 1. Untitled Film Still #21 (1978) Fig. 2. Untitled Film Still #3 (1977) I first encountered Cindy Sherman’s work in the Tate Gallery, London, in the 1980s. It was a colour photograph of a young woman sitting in front of a mirror. The title of which I can’t remember. My first impression of the photograph was of its cinematic qualities.
Untitled Film Still #63. 1980 | MoMA. Cindy Sherman’s Untitled Film Stills is a suite of seventy black-and-white photographs in which the artist posed in the guises of various generic female film characters, among them, ingénue, working girl, vamp, and lonely housewife. Staged to resemble scenes from 1950s and ’60s Hollywood, film noir, B ...
30 mag 2018 · Per primo il cinema, che diventa punto di riferimento per la serie fotografica “Untitled Film Stills (1977-1980)”. 70 scatti in bianco e nero tra scenari interni e urbani, dove la Sherman mette in scena se stessa. Un progetto in cui l’artista gode dell’aiuto del fotografo e amante Robert Longo e di amici e familiari.
Rather, they are an unsettling yet deeply satisfying synthesis of film and narrative painting, a shrewdly composed remaking not of the "real" world but of the mediated landscape. View more Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.
