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  1. www.donmarwarehouse.com › pQdlltd › your-visitTickets | Donmar Warehouse

    Ticket prices may increase based on demand. Bookings made online, via telephone, or in person are subject to a £1.50 transaction fee. All our tickets are delivered as e-tickets. You will be sent your e-ticket in advance of attending a performance. Alternatively, you can find your e-ticket by logging into your Donmar Warehouse account.

  2. Donmar Warehouse Projects ltd is a registered charity no. 284262. Limited company registration no. 01611861. Registered offices: 3 Dryden Street, London, WC2E 9NA

  3. 26 apr 2024 · For the Donmar Warehouse he stages the great writer’s final play. It’s a work that predicted and captured the end of an era, but is timeless in its humanity, prescience, humour and pathos. The Cherry Orchard is Chekhov’s masterpiece. Making her London debut as Ranevskaya is Nina Hoss, one of Germany’s most celebrated stage and screen ...

  4. The Donmar Warehouse is a 251 seat, not for profit theatre in Covent Garden, London, led by Artistic Director Michael Longhurst and Executive Director Henny Finch. Their mission is to bring together a wide variety of people in their intimate warehouse space and elsewhere to create, witness and participate in thrilling, world class theatre.

  5. Box Office. 020 3282 3808 | boxoffice@donmarwarehouse.com Mon - Sat: 10:00AM - 6:00PM Donmar Warehouse. 41 Earlham Street, Seven Dials, London WC2H 9LX UK

  6. Donmar Warehouse is a small not-for-profit theatre in the Covent Garden area of London, with a capacity of 250. Under the artistic leadership of Michael Grandage, Donmar Warehouse has presented some of London’s most memorable award-winning theatrical experiences, as well as garnered critical acclaim at home and abroad.

  7. The Donmar presents the European premiere of this New York Times Critic’s Pick hit by award-winning writer Eboni Booth, directed by Olivier Award-winner Matthew Xia. Primary Trust is an absorbing and funny story about having the courage to change. “Restores your faith in theatre’s storytelling powers” Observer.