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10 mag 2024 · if you are not a color scientist or mathematician (i'm not), here is a step by step guide to recreating Steve Yedlin's LUT with open-source or off-the-shelf color tools: step 1: download the Knives Out color video ( https://yedlin.net/KnivesOut_Color_Demo.m4v).
1 giorno fa · Knives Out was director of photography Steve Yedlin's fifth project with Rian Johnson. The two men storyboarded their visual composition ideas ahead of the principal photography, which did not describe the onscreen universe in depth. [57]
19 ore fa · Cinematographer Steve Yedlin captured Carrie digitally in ARRIRAW format at 2.8K resolution using Arri Alexa cameras with Panavision Primo and PCZ zoom lenses. Postproduction work was completed as a 2K Digital Intermediate, framed at 2.39:1 for its theatrical release.
1 giorno fa · Easily my favourite shot in The Last Jedi (Rian Johnson, Steve Yedlin) - the framing is perfect. Tension is built wonderfully with epic symmetrical framing and colour palette. Fantastically shot film overall, but this scene makes you FEEL the aftermath and rising tension. Steve Yedlin is a talent.
6 giorni fa · Steve Yedlin doesn't make a special case for the Arri Alexa. He argues that footage from any camera meeting basic specifications can be made to look indistinguishable from 35mm film, and that remaining differences are not of cinematic consequence.
16 mag 2024 · American cinematographer Steve Yedlin (Star Wars: The Last Jedi, Looper, Knives Out), as Reichenbach points out, has developed a bespoke method for adding film grain to digital video
23 mag 2024 · Who is Steve Yedlin you ask? He's the cinematographer behind Star Wars Episode VIII: The Last Jedi , Looper , The Brothers Bloom , and Brick . You can also follow his Twitter here: https://twitter.com/steveyedlin
