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Ernest Mathijs (born 1968 or 1969) [1] is a professor at the University of British Columbia, where he teaches film. He has published several books on cult films . Career. According to CTV News, his "specialties include movie audiences, the reception of alternative cinema and cult film." [2] .
About. Ernest Mathijs is a Professor in Cinema and Media Studies at the University of British Columbia. He researches cult film, genre cinema, David Cronenberg, and European horror. He has written on the reception of digital cinema and fantasy ( The Hobbit and The Lord of the Rings ), on Belgian cinema, reality-TV Big Brother, Thomas Pynchon, ...
26 set 2009 · Ernest Mathijs. @ErnestMathijs. Film Scholar, Media Studies, 100 CULT FILMS, CULT CINEMA, DAVID CRONENBERG, DELPHINE SEYRIG, LORD O/T RINGS, GINGER SNAPS, BEUYS, PYNCHON. @FilmUBC. @globalHobbit. Vancouver, British Columbia participations.org Joined September 2009. 1,165 Following. 1,200 Followers. Tweets & replies. Media. Likes.
10 mag 2011 · Ernest Mathijs is Associate Professor in Film Studies at the University of British Columbia, Canada. His books include The Cult Film Reader (co-editor), three books on the reception of The Lord of the Rings, and The Cinema of David Cronenberg: From Baron of Blood to Cultural Hero. Show all.
Ernest Mathijs. Writer. IMDbPro Starmeter See rank. Ernest Mathijs is known for The Quiet Revolution: State, Society and the Canadian Horror Film - Part One: Gimme Shelter: Cinepix and the Birth of the Canadian Horror Film (2019) and The Quiet Revolution: State, Society and the Canadian Horror Film - Part Two: An Emerging Revolution: New ...
- Writer
- Ernest Mathijs
I am a Professor in Film and Media Studies at the University of British Columbia. I specialize in ‘alternative cinema’ and media audiences – cult film, genre, independent films, David Cronenberg,...
- The University of British Columbia
7 mar 2021 · Ernest Mathijs is Professor of Cinema and Media Studies at the University of British Columbia (Vancouver), where he researches cult cinema and film audiences and receptions.
