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  1. Walter Pater (1839–94) was the foremost Victorian writer on art and on aesthetic experience. His ideas still shape modern assumptions about how art plays on our feelings and intellectual responses. This edition of Pater's complete works was published in 1900–1 in a limited edition of 775 copies.

    • Walter Pater
    • 2012
  2. en.wikipedia.org › wiki › Walter_PaterWalter Pater - Wikipedia

    Walter Horatio Pater (4 August 1839 – 30 July 1894) was an English essayist, art and literary critic, and fiction writer, regarded as one of the great stylists. His first and most often reprinted book, Studies in the History of the Renaissance (1873), revised as The Renaissance: Studies in Art and Poetry (1877), in which he outlined his ...

  3. 16 ott 2021 · His ideas still shape modern assumptions about how art plays on our feelings and intellectual responses. This edition of Pater's complete works was published in 1900–1 in a limited edition of 775 copies. It comprises eight volumes of his major works with an additional volume of critical essays.

    • Walter Pater
    • 2012
  4. 10 nov 2011 · This edition of Pater's complete works was published in 1900–1 in a limited edition of 775 copies. It comprises eight volumes with an additional volume of critical essays first published in The Guardian. This is the second of two volumes of Marius the Epicurean (1885), Pater's only full-length fiction.

    • Walter Pater
  5. 10 nov 2011 · This edition of Pater's complete works was published in 1900-1 in a limited edition of 775 copies. It comprises eight volumes with an additional volume of critical essays first published in...

  6. 31 gen 2010 · The works of Walter Pater by Pater, Walter, 1839-1894. Publication date 1900 ... Openlibrary_work OL18121765W Pages 291 Possible copyright status NOT_IN ...

  7. 1 apr 2024 · Renaissance art. art for art’s sake. Walter Pater (born August 4, 1839, Shadwell, London, England—died July 30, 1894, Oxford, Oxfordshire) was an English critic, essayist, and humanist whose advocacy of “art for art’s sake” became a cardinal doctrine of the movement known as Aestheticism.

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