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Richard "Snakehips" Dudanski, also known as Richard Nother, is an English drummer who was a member of a number of seminal British proto-punk, punk and post-punk bands, including The 101ers, The Raincoats, Public Image Ltd., Tymon Dogg and the Fools, and the Martin Hannett produced roots-rock dub outfit, Basement 5.
Richard Dudanski. More images. Profile: British drummer, dubbed 'Snakehips Dudanski' by Joe Strummer when he joined his first band The 101'ers. Briefly formed his own band Bank Of Dresden in 1979, then moved on to Public Image Limited, The Raincoats and Basement 5. Lives in Granada, Spain.
29 gen 2018 · L’anno seguente è quello del botto: Jim Walker se n’è andato, e alla batteria si alternano David Humphrey, Richard Dudanski, lo stesso Levene e Martin Atkins, che l’anno seguente entrerà in pianta stabile nella band, e il gruppo decide di investire i pochi soldi a disposizione per una confezione assolutamente inedita per il ...
Richard Dudanski – drums; Simon Cassell aka "Big John" – saxophone; Alvaro Peña-Rojas – saxophone; Marwood Chesterton aka "Mole" – bass guitar (until Oct. 1975) Antonio Narvaez – drums; Julian Yewdall – vocals, harmonica; Patrick Nother – bass (first gig) Martin Stone – lead guitar (final gig) Tymon Dogg – fiddle ...
- 1974–1976, (one-off reunion: 2003)
- London, England
Richard Dudanski interview. Fodderstompf.Com: One of many early drummers, Richard Dudanski (aka Richard Nother) played with PiL mid-1979. Popular belief is that Martin Atkins was drummer on 'Metal Box' – in fact, he only plays on one track – Richard played on the majority of the album; as well as appearing live with the band.
23 nov 2023 · They ended up recording Metal Box with input from several drummers, including Richard Dudanski (of pre-punk pub rock outfit The 101’ers) and Martin Atkins, whose audition was the actual recording...
And since we’re talking about the rhythm section, let’s not forget Richard Dudanski's incredible disco-ready drumming. Least conspicuous, guitarist Keith Levene (ex-Clash, ex-Flowers of Romance) brought a prog-infused sensibility that prioritized conjuring new sounds over writing songs.
