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  1. it.wikipedia.org › wiki › Third_StreamThird Stream - Wikipedia

    Third Stream è un termine coniato nel 1957 dal compositore Gunther Schuller, in una conferenza presso la Brandeis University, per descrivere un genere musicale in grado di compiere una sintesi tra la musica classica ed il jazz. L' improvvisazione è generalmente considerata componente importante di questo genere musicale.

  2. en.wikipedia.org › wiki › Third_streamThird stream - Wikipedia

    Third stream is a music genre that is a fusion of jazz and classical music. The term was coined in 1957 by composer Gunther Schuller in a lecture at Brandeis University. There are many ways to define third-stream music.

  3. Gunther Schuller and John Lewis' 'Third Stream Music', which combined a string quartet with a cool jazz combo, was one of the first entirely successful concert hall pieces by a jazz composer. In today's music world, Third Stream often refers to compositions that have some element of jazz.

  4. Third Stream (a term invented by composer Gunther Schuller in 1957) essentially means a mixture of jazz and classical music. Most attempts at fusing the two very different idioms have been (at best) mixed successes with string sections weighing down jazz soloists.

  5. 25 mar 2020 · Also, in a broader sense, there was the emergence and development of a new musical genre called “Third Stream” (a term I coined in a lecture at Brandeis University in 1957), representing the growing rapprochement between the two musical mainstreams, jazz and classical, which when married and merged produced a third stream—that ...

  6. THE TERM 'THIRD-STREAM MUSIC', coined by the American composer Gunther Schuller in the I960s, has by now been largely accepted by the musical world as a useful and valid description of a style which is a fusion between jazz and serious music. Admittedly, 'serious' is an unsatisfactory word to apply to music, carrying as it does the implication ...

  7. 2 nov 2017 · “Third stream” is a term coined by Gunther Schuller, in a lecture at Brandeis University in 1957, for a type of music which, through improvisation or written composition or both, synthesizes the essential characteristics and techniques of contemporary Western art music and various ethnic or vernacular musics.