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  1. it.wikipedia.org › wiki › Louis_VierneLouis Vierne - Wikipedia

    Louis Victor Jules Vierne /lwis vjɛʁn/ ( Poitiers, 8 ottobre 1870 – Parigi, 2 giugno 1937) è stato un organista e compositore francese, organista titolare della Cattedrale di Notre-Dame di Parigi dal 1900 al 1937. Indice. 1 Biografia. 1.1 Morte. 2 Composizioni. 3 Note. 4 Altri progetti. 5 Collegamenti esterni. Biografia.

  2. en.wikipedia.org › wiki › Louis_VierneLouis Vierne - Wikipedia

    Louis Victor Jules Vierne (8 October 1870 – 2 June 1937) was a French organist and composer. As the organist of Notre-Dame de Paris from 1900 until his death, he focused on organ music, including six organ symphonies and a Messe solennelle for choir and two organs. He toured Europe and the United States as a concert organist.

  3. Louis Vierne, né à Poitiers le 8 octobre 1870 [1] et mort à Paris le 2 juin 1937, est un compositeur français, organiste titulaire du grand orgue de la cathédrale Notre-Dame de Paris. Figure incontournable de l’ École française d'orgue au XX e siècle , Louis Vierne a mené une carrière de compositeur, professeur et d ...

  4. 7 ott 2020 · The Life and Works of Louis Vierne. 07.10.2020 / in Personalities / by Jon Laukvik. In 2020, we celebrate the 150th anniversary of the birth of the composer and organist Louis Vierne whose life was not only marked by artistic success but also by health problems and personal misfortune.

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  5. Enciclopedia on line. Musicista (Poitiers 1870 - Parigi 1937). Studiò al conservatorio di Parigi con C. Franck e Ch. M. Vidor. Organista nella chiesa di Notre-Dame dal 1900 e professore d'organo alla Schola Cantorum dal 1911, scrisse musiche orchestrali, vocali-orchestrali, corali, da camera e organistiche.

  6. Louis Victor Jules Vierne (8 October 1870 – 2 June 1937) was a French organist and composer. Contents. [ hide] 1 Life. 2 Music. 3 Works. 4 Media. 5 Bibliography. 6 Discography. 7 Notes. 8 External links. Life.

  7. The name of Louis Vierne (1870-1937) will be associated with organ music immediately. As did quite a few other 19th-century organists/composers he used the instrument as a means to perform ‘symphonic’ music. The scope in this respect was greatly enhanced by the new organs built at the time, for instance by Aristide Cavaillé-Coll.