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Masaki Kobayashi (小林 正樹, Kobayashi Masaki, February 14, 1916 – October 4, 1996) was a Japanese film director and screenwriter, best known for the epic trilogy The Human Condition (1959–1961), the samurai films Harakiri (1962) and Samurai Rebellion (1967), and the horror anthology Kwaidan (1964).
Otaru, 14 febbraio 1916 – Tokyo, 4 ottobre 1996) è stato un regista e sceneggiatore giapponese . Contraddistinto dagli altri cineasti dell'epoca da uno stile estremamente ricercato, da un'epicità dell' immagine e un'eleganza registica uniche, è oggi considerato da alcuni, malgrado la scarsa notorietà in occidente rispetto a ...
Masaki Kobayashi was a Japanese director and writer known for his samurai and anti-war films. He was born in 1916 and died in 1996, and worked with actors like Tatsuya Nakadai and Kinuyo Tanaka.
- January 1, 1
- Hokkaido, Japan
- January 1, 1
- Tokyo, Japan
Masaki Kobayashi was a Japanese film director, screenwriter and producer who has directed twenty films in a career spanning 33 years. He is best known for The Human Condition Trilogy, the Academy Award–nominated horror film Kwaidan and the jidaigeki films Harakiri and Samurai Rebellion. [1] [2]
YearTitleOriginal TitleDirector1949The Yotsuya Ghost StoryShin'yaku Yotsuya kaidanNo1949Broken DrumYabure-daikoNo1952Youth of the SonMusuko no seishunYes1953Sincere HeartMagokoroYesRegista cinematografico giapponese, nato a Ōtaru (Hokkaido) il 4 febbraio 1916 e morto a Tokyo il 4 ottobre 1996. Profondamente segnato dall'esperienza della guerra, K. è forse l'autore più pessimista ed esistenzialista della generazione degli umanisti del dopoguerra.
The Human Condition (人間の條件, Ningen no jōken) is a trilogy of Japanese epic war drama films co-written and directed by Masaki Kobayashi, based on the novel of the same name by Junpei Gomikawa. The films are subtitled No Greater Love (1959), Road to Eternity (1959), and A Soldier's Prayer (1961).
Kobayashi Masaki was a Japanese motion-picture director whose 9 12-hour trilogy, Ningen no joken (The Human Condition: No Greater Love, 1959; Road to Eternity, 1959; A Soldier’s Prayer, 1961), a monumental criticism of war, constitutes the best example of his films of social concern.
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