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Stuart Heisler ( Los Angeles, 5 dicembre 1896 – San Diego, 21 agosto 1979) è stato un regista e montatore statunitense . Indice. 1 Biografia. 2 Filmografia. 2.1 Regista (parziale) 2.2 Regista seconda unità. 2.3 Montatore (parziale) 3 Altri progetti. 4 Collegamenti esterni. Biografia.
Stuart Heisler (December 5, 1896 – August 21, 1979) was an American film and television director. He was a son of Luther Albert Heisler (1855–1916), a carpenter, and Frances Baldwin Heisler (1857–1935). He worked as a motion picture editor from 1921 to 1936, then worked as film director for the rest of his career.
Stuart Heisler. Director: Island of Desire. Director Stuart Heisler began his film-industry career as a prop man in 1913, joining Mack Sennett at Keystone the following year. He worked as an editor for Samuel Goldwyn at United Artists from 1924-25 and again from 1929-34 and at Paramount from 1935-36.
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- Los Angeles, California, USA
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- San Diego, California, USA
Il regista Stuart Heisler iniziò la sua carriera nell'industria cinematografica come attrezzista nel 1913, unendosi a lui Mack Sennett a Keystone l'anno successivo. Ha lavorato come redattore per Samuel Goldwyn alla United Artists dal 1924 al 1925 e di nuovo dal 1929 al 1934 e alla Paramount dal 1935 al 1936.
7 mag 2024 · Stuart Heisler was an American director and editor whose career spanned the silent and sound eras. Heisler first worked in Hollywood as a prop man at Famous Players. By the early 1920s he was a film editor, working for various studios. Among his credits were Condemned (1929), The Kid from Spain.
- Michael Barson
29 ago 2020 · Frank Tuttle e Stuart Heisler, rispettivamente classe 1892 e 1896, attivissimi nella Hollywood dagli anni Venti ai Cinquanta-Sessanta, entrambi alla Paramount, ma marginali, forse perché “scomodi” (esplicitamente Tuttle, che incappò anche nelle indagini e negli interrogatori della Commissione per le attività antiamericane del senatore McCarthy e...
Stuart Heisler. Director: Island of Desire. Director Stuart Heisler began his film-industry career as a prop man in 1913, joining Mack Sennett at Keystone the following year. He worked as an editor for Samuel Goldwyn at United Artists from 1924-25 and again from 1929-34 and at Paramount from 1935-36.
