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  1. it.wikipedia.org › wiki › Jūzō_ItamiJūzō Itami - Wikipedia

    Jūzō Itami, pseudonimo di Yoshihiro Ikeuchi, è stato un attore, regista e produttore cinematografico giapponese. I dieci film da lui diretti, tutti scritti di suo pugno, sono satire comiche.

  2. en.wikipedia.org › wiki › Juzo_ItamiJuzo Itami - Wikipedia

    Juzo Itami (伊丹 十三, Itami Jūzō), born Yoshihiro Ikeuchi (池内 義弘, Ikeuchi Yoshihiro, May 15, 1933 – December 20, 1997), was a Japanese actor, screenwriter and film director. He directed eleven films (one short and ten features), all of which he wrote himself.

  3. www.imdb.com › name › nm0411631Jûzô Itami - IMDb

    Jûzô Itami. Writer: The Funeral. A tragic end belies a life led with purpose. The son of a successful filmmaker, Juzo Itami made his name acting in television and films before making a late career shift into screenwriting and directing at age 50.

    • January 1, 1
    • Kyoto, Japan
    • January 1, 1
    • Tokyo, Japan
  4. Jūzō Itami (1933–1997) was a Japanese actor and, later, a popular modern screenwriter and film director. Many critics came to regard him as Japan's greatest director since Akira Kurosawa.

  5. 20 dic 2022 · Juzo Itami was just 64 when he passed away on December 20, 1997. Officially his death was ruled a suicide, though many believe something more sinister was at play. Much has been written about that fateful day a quarter of a century ago and we will take a closer look at it as part of our latest article in the Spotlight series.

  6. Itami Jūzō was a Japanese film director and screenwriter. He had a successful 20-year career as an actor in films such as 55 Days at Peking (1963), an American vehicle, before venturing into directing. His directorial debut, Ososhiki (1984; The Funeral), was acclaimed for its satire of social.

  7. Directed by Juzo Itami • 1988 • Japan Starring Nobuko Miyamoto, Rentaro Mikuni, Masahiko Tsugawa. Nobuko Miyamoto returns to the role of Ryoko Itakura, the tough-as-nails government tax investigator whom you most definitely don’t want to cross, in Juzo Itami’s energetic, genre-twisting follow-up ...