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  1. Ishirō Honda (Japanese: 本多 猪四郎 ( いしろう ), Hepburn: Honda Ishirō, 7 May 1911 – 28 February 1993) was a Japanese filmmaker who directed 46 feature films in a career spanning five decades.

  2. Ishirō Honda (本多猪四郎?, Honda Ishirō; Yamagata, 7 maggio 1911 – Tokyo, 28 febbraio 1993) è stato un regista, produttore cinematografico e sceneggiatore giapponese, noto per aver diretto alcuni episodi della serie del mostro Godzilla e aver collaborato a numerosi film di Akira Kurosawa

  3. www.imdb.com › name › nm0393094Ishirô Honda - IMDb

    Ishirô Honda. Director: Godzilla. Influential Japanese film director born May 7th, 1911, often credited as being the father of Godzilla. His name is a combination of "I" (or Ino), meaning "boar", and "shirô," meaning fourth son in the family.

    • January 1, 1
    • Yamagata, Japan
    • January 1, 1
    • Tokyo, Japan
  4. 16 feb 2024 · L’obiettivo di Murata e Honda era quello rendere Godzilla più come una paura invisibile per quasi tre-quarti di film che non una presenza minacciosa fissa, e su di lui far ruotare, di riflesso, la gestione burocratica dei conflitti da parte del governo nipponico e tutto quell’insieme di commissioni e lungaggini che hanno finito ...

    • Francesco Parrino
  5. Ishirô Honda. Director: Godzilla. Influential Japanese film director born May 7th, 1911, often credited as being the father of Godzilla. His name is a combination of "I" (or Ino), meaning "boar", and "shirô," meaning fourth son in the family.

    • May 7, 1911
    • February 28, 1993
  6. 6 mag 2024 · Honda Ishirō (born May 7, 1911, Asahi (now part of Tsuruoka), Yamagata prefecture, Japan—died February 28, 1993, Tokyo) was a Japanese filmmaker who worked closely with Kurosawa Akira but was perhaps best known for his leading role in Japan’s kaijū eiga (“monster movie”) craze of the 1950s and ’60s, mostly through his ...

  7. 24 ott 2019 · By Steve Ryfle. Features — Oct 24, 2019. D irector Ishiro Honda gathered his crew and gave them an ultimatum. He was about to put his career at risk, and he would only work with those who approached his current project—a movie about a radiation-spewing prehistoric reptile that destroys Tokyo—with the utmost seriousness, as he himself did.