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  1. 5 giorni fa · Il cavaliere oscuro (The Dark Knight) è un film del 2008 co-scritto, diretto e co-prodotto da Christopher Nolan.. Basato sul personaggio di Batman di DC Comics.La pellicola è il sequel di Batman Begins (2005), anch'esso co-scritto e diretto da Nolan, ed è stata preceduta dal film direct-to-video Batman: Il cavaliere di Gotham, raccolta di cortometraggi animati realizzati in stile anime, che ...

  2. 1 giorno fa · In 1988, Alan Moore, Brian Bolland, and John Higgins would release a one-shot graphic novel that would change the Batman landscape forever. Batman: The Killing Joke was the superstar team-up that solidified Batman’s relationship with the Joker, and it changed the dynamic between Joker and the rest of the Rogues Gallery going forward.

  3. 4 giorni fa · The Art of Brian Bolland - YouTube. Hot Comics Tv. 526 subscribers. Subscribed. 0. No views 1 minute ago. The art of the very best artist from Merrie old England, Brian Bolland ! the Master...

  4. Il pantheon dei suoi illustratori comprende ora, tra gli altri, artisti come Adam Hughes, Alex Ross, Phil Jimenez, Brian Bolland; è un’ulteriore rinascita del personaggio, fino alle serie The New 52 (dal 2011) e Rebirth (dal 2016).

  5. 5 giorni fa · 1989 Brian Bolland, Batman: The Killing Joke (DC) 1991 Steve Rude; 1992 Simon Bisley, Batman: Judgement on Gotham (DC) Best Penciller. 1993 Steve Rude, Nexus: The Origin (Dark Horse) 1997 Steve Rude, Nexus: Executioner's Song (Dark Horse) - Best Penciller; Best Inker. 1991 Al Williamson; 1992 Adam Kubert, Batman Versus Predator (DC ...

  6. 2 giorni fa · The tone and themes of the film were partly influenced by Alan Moore and Brian Bolland's The Killing Joke and Frank Miller's The Dark Knight Returns. The film primarily adapts and then diverges from the " Red Hood " origin story for the Joker, having Batman inadvertently cause gangster Jack Napier to fall into Axis Chemical acid ...

  7. 30 apr 2024 · Batman #400 prelim art and pencils by Brian Bolland. Brian was at the vanguard of the “British Invasion”, starting with Green Lantern #127 in April 1980. Given that he wrote a dissertation on Neal Adams in 1973, he is a fine demonstration of the appreciation that British creatives had for US comics creatives.