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Theodore Herman Albert Dreiser ( Terre Haute, 27 agosto 1871 – Hollywood, 28 dicembre 1945) è stato uno scrittore e drammaturgo statunitense fra i maggiori esponenti del realismo e caposcuola del moderno romanzo americano. Indice. 1 Biografia. 2 Opere. 2.1 Romanzi. 2.2 Racconti. 2.3 Testi teatrali. 2.4 Saggistica. 3 Al cinema. 4 Altri progetti.
Theodore Herman Albert Dreiser (/ ˈ d r aɪ s ər,-z ər /; August 27, 1871 – December 28, 1945) was an American novelist and journalist of the naturalist school. His novels often featured main characters who succeeded at their objectives despite a lack of a firm moral code, and literary situations that more closely resemble ...
- Novelist
- Paul Dresser (brother)
- Theodore Herman Albert Dreiser, August 27, 1871, Terre Haute, Indiana, U.S.
Chicago literary renaissance. Theodore Dreiser (born Aug. 27, 1871, Terre Haute, Ind., U.S.—died Dec. 28, 1945, Hollywood, Calif.) was a novelist who was the outstanding American practitioner of naturalism. He was the leading figure in a national literary movement that replaced the observance of Victorian notions of propriety with the ...
29 ott 2013 · Although Dreiser is criticized for his cumbersome style, his compelling characters and narratives continue to fascinate readers, and his importance to early 20th-century American literature is undeniable.
Theodore Herman Albert Dreiser è stato uno scrittore e drammaturgo statunitense fra i maggiori esponenti del realismo e caposcuola del moderno romanzo americano.
Scrittore e giornalista statunitense (Terre-Haute, Indiana, 1871 - Hollywood 1945). Dopo i romanzi Sister Carrie (1900), Jennie Gerhardt (1911), The financier (1912), The titan (1914), The genius (1915), pervenne al capolavoro con An American tragedy (1925), romanzo in cui il tema dell'ingiustizia sociale è affrontato con spietata e coraggiosa ...
Theodore Dreiser - Naturalism, Novels, Journalism: Dreiser’s first novel, Sister Carrie (1900), is a work of pivotal importance in American literature despite its inauspicious launching. It became a beacon to subsequent American writers whose allegiance was to the realistic treatment of any and all subject matter.
