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Carl Van Vechten ( Cedar Rapids, 17 giugno 1880 – New York, 21 dicembre 1964) è stato uno scrittore e fotografo statunitense . Indice. 1 Giornalista e scrittore. 2 La fotografia. 3 Note. 4 Bibliografia. 5 Voci correlate. 6 Altri progetti. 7 Collegamenti esterni. Giornalista e scrittore.
Carl Van Vechten (June 17, 1880 – December 21, 1964) was an American writer and artistic photographer who was a patron of the Harlem Renaissance and the literary executor of Gertrude Stein. [1] He gained fame as a writer, and notoriety as well, for his 1926 novel Nigger Heaven.
- December 21, 1964 (aged 84), New York City, U.S.
- June 17, 1880, Cedar Rapids, Iowa, U.S.
12 apr 2024 · Carl Van Vechten (born June 17, 1880, Cedar Rapids, Iowa, U.S.—died Dec. 21, 1964, New York City) was a U.S. novelist and music and drama critic, an influential figure in New York literary circles in the 1920s; he was an early enthusiast for the culture of U.S. blacks.
- The Editors of Encyclopaedia Britannica
Carl Van Vechten: Biography and Chronology Biography. Carl Van Vechten was born on June 17, 1880 in Cedar Rapids, Iowa. At an early age, he developed an interest in music and theater, which he found hard to satisfy in his hometown. He left Iowa in 1899 to attend the University of Chicago. In Chicago he was able to explore art, music, and opera.
Van Vechten, Carl nell'Enciclopedia Treccani - Treccani - Treccani. Cataloghi. Scrittore, critico e fotografo statunitense (Cedar Rapids, Iowa, 1880 - New York 1964).
Biography and Chronology. Carl Van Vechten was born on June 17, 1880 in Cedar Rapids, Iowa. At an early age, he developed an interest in music and theater, which he found hard to satisfy in his hometown. He left Iowa in 1899 to attend the University of Chicago. In Chicago he was able to explore art, music, and opera.
Carl Van Vechten’s Harlem Renaissance Portraits at Beinecke Library. A novelist, critic, and promoter of the arts, Carl Van Vechten was also an avid portrait photographer, beginning when he first acquired a Leica camera in 1932. By 1939, he had made it his mission to photograph every notable African American working in the arts.
