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  1. it.wikipedia.org › wiki › Julie_DashJulie Dash - Wikipedia

    Julie Dash (New York, 22 ottobre 1952) è una produttrice cinematografica statunitense, autrice e membro di L.A. Rebellion. Il film Daughters of the Dust (1992) è stato il suo primo film da regista su una donna Afro-Americana, di cui Dash era anche scrittrice e direttrice.

  2. en.wikipedia.org › wiki › Julie_DashJulie Dash - Wikipedia

    Julie Ethel Dash (born October 22, 1952) is an American filmmaker, music video and commercial director, author, and website producer. Dash received her MFA in 1985 at the UCLA Film School and is one of the graduates and filmmakers known as the L.A. Rebellion.

  3. Julie Dash née le 22 octobre 1952 à Long Island City, New York (États-Unis) est une monteuse, productrice, réalisatrice et scénariste africaine-américaine. Elle est associée au mouvement artistique L.A. Rebellion. Son film Daughters of the Dust est le premier long métrage d'une réalisatrice afro-américaine.

  4. the PRESS. Julie Dash’s Daughters of the Dust is a spellbinding gesamtkunstwerk celebrating Gullah culture through the Peazant family’s final shared moments ahead of a planned migration to the north from St Helena Island, South Carolina. A multisensory ode to culture and memory, it is a collage of poetic poses that frames the characters ...

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  5. Daughters of the Dust is a 1991 independent film written, directed and produced by Julie Dash and is the first feature film directed by an African-American woman to be theatrically released in the United States.

    • Julie Dash
    • 1992
  6. Julie Dash (geb. 22. Oktober 1952 in Long Island City, New York [1]) ist eine US-amerikanische Filmemacherin. Ihr Film Daughters of the Dust (1991) gilt als eines der bedeutendsten Werke des unabhängigen Films des 20. Jahrhunderts. [1] Inhaltsverzeichnis. 1 Leben. 2 Wirken. 3 Auszeichnungen. 4 Filme (Auswahl) 5 Weblinks. 6 Einzelnachweise. Leben.

  7. Illusions is a 1982 film written and directed by Julie Dash. [1] The short film depicts the life of an African American woman passing as a white woman working in the film industry during the 1940s. It calls attention to the lack of African Americans in the film industry during that era. [2] [3] [4]