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American Impressionism was a style of painting related to European Impressionism and practiced by American artists in the United States from the mid-nineteenth century through the beginning of the twentieth.
- Impressionism
Impressionism was a 19th-century art movement characterized...
- Impressionism
Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, unusual visual angles, and inclusion of movement as a ...
During the mid-1880s, as French Impressionism lost its radical edge, American collectors began to value the style, and more American artists began to experiment with it after absorbing academic fundamentals. Exhibitions of Impressionist works were held in American cities and sales were strong.
L' Impressionismo è una corrente artistica sviluppata in Francia, soprattutto a Parigi, nella seconda metà dell' Ottocento, e durante il Novecento . Il gruppo degli impressionisti si formó nel 1860. Dopo aver provocato scandali e subìto rifiuti dal Salon, i giovani artisti decisero di unire le forze per organizzare mostre indipendenti.
Summary of American Impressionism. Like much of the art world, American painters of the late 19 th -century were stunned and startled by the dazzling colors and vibrant brushwork of French Impressionism, yet by the century's end, Americans would be among the most passionate devotees of the Impressionist style.
Impressionism was a French art movement that emerged in the 1870s, and was picked up by American painters towards the end of the 19th century. Painters like Edgar Degas, Claude Monet and Auguste Renoir are generally considered the masters of the impressionist movement.
Childe Hassam (1859–1935), the leader of American Impressionism, was the movement's most devoted, prolific, and successful practitioner and promoter. Among the first Americans to catch the spirit of the new French painting, he became the principal Impressionist chronicler of New York City, modern America's most distinctive subject.
