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Teiji Ito (伊藤貞司, Itō Teiji, January 22, 1935 – August 16, 1982) was a Japanese-born American composer and performer. He is best known for his scores for the avant-garde films by Maya Deren.
Teiji Ito. Interpreti e personaggi. John Genke: Joan Pape: Divine Horsemen: The Living Gods of Haiti è un film documentario di Maya Deren, girato tra il 1947 e il 1955 e successivamente montato e sonorizzato da Chere Ito e Teiji Ito nel 1985 [1].
It is about dance and possession in Haitian vodou that was shot by experimental filmmaker Maya Deren between 1947 and 1954. In 1981, twenty years after Deren's death, the film was completed by Deren's third husband Teiji Ito (1935-1982) and his wife Cherel Winett Ito (1947-1999).
However, a musical score influenced by classical Japanese music was added in 1959 by Deren's third husband, Teiji Ito. [1] [3] [4] In 1990, Meshes of the Afternoon was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant", going into the ...
伊藤 貞司 （ テイジ・イトウ [1] 、 Teiji Ito 、 1935年 1月22日 - 1982年 8月16日 ）は、 日本 の作曲家であり演奏家。 マヤ・デレン による前衛的な映画の スコア を担当したことで最もよく知られている。 略歴. 伊藤は 東京 の芸能一家に生まれた [2] 。 母親であるテイコ・オノ（テイコ・イトウ）はダンサーであり、彼の父親である伊藤裕司（ 伊藤為吉 の四男）はデザイナー兼作曲家であった [3] 。 6歳の時に家族でアメリカに移住することとなった。 ニューヨーク にあるアメリカ自然史博物館における母親のダンス・パフォーマンスに伊藤は同行し、自身も日本と韓国のダンスをパフォーマンスした。 15歳の時には家から逃げ出したことがあった [4] 。
Teiji Ito (伊藤貞司, Itō Teiji, January 22, 1935 – August 16, 1982) was a Japanese composer and performer. He is best known for his scores for the avant-garde films by Maya Deren. Biography. Ito was born in Tokyo, Japan to a theatrical family. [1] His mother, Teiki Ono, was a dancer and his father, Yuji Ito, was a designer and composer. [3]
Deren’s waking-dream logic was impeccable. Ito proceeded to write the score to her just-completed film, The Very Eye of Night (released in 1958), playing all the instruments and recording it himself—a score that Deren found so complementary she asked Ito to add music to her already classic, and heretofore silent, Meshes of the Afternoon (1943; music, 1959).
