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  1. He died of prostate cancer in France in 1957, at the age of 71. Beloved by Parisian neo-Surrealists known as Lettrists, he was honored by Lettrist Maurice Lemaître with a 70-minute 1979 film titled Erich von Stroheim.

  2. Erich von Stroheim, nato Erich Oswald Stroheim ( Vienna, 22 settembre 1885 – Maurepas, 12 maggio 1957 ), è stato un attore, regista e sceneggiatore austriaco naturalizzato statunitense, attivo nella prima metà del Novecento. Grazie ai ruoli da cattivo, magistralmente interpretati, si è conquistato l'epiteto di l'uomo che si ama odiare .

  3. 9 mag 2024 · Died: May 12, 1957, near Paris, France (aged 71) Notable Works: “Greed”. Erich von Stroheim (born September 22, 1885, Vienna, Austria—died May 12, 1957, near Paris, France) was one of the most critically respected motion-picture directors of the 20th century, best known for the uncompromising realism and accuracy of detail in ...

    • The Editors of Encyclopaedia Britannica
  4. Erich von Stroheim. Actor: Sunset Boulevard. Erich von Stroheim was born Erich Oswald Stroheim in 1885, in Vienna, Austria, to Johanna (Bondy), from Prague, and Benno Stroheim, a hatter from Gleiwitz, Germany (now Gliwice, Poland).

    • January 1, 1
    • Vienna, Austria-Hungary [now Austria]
    • January 1, 1
    • 1.68 m
  5. Biography. Erich von Stroheim. Jump to Edit. Overview. Born. September 22, 1885 · Vienna, Austria-Hungary [now Austria] Died. May 12, 1957 · Maurepas, Seine-et-Oise [now Yvelines], France (prostate cancer) Birth name. Erich Oswald Hans Carl Maria Von Stroheim. Nickname. The Man You Love to Hate. Height. 5′ 6″ (1.68 m) Mini Bio.

    • September 22, 1885
    • May 12, 1957
  6. Gian Luigi RONDI. Attore, regista e soggettista (vero nome Eric Hans Stroheim von Nordenwall), nato a Vienna il 22 settembre 1885, morto a Parigi il 12 maggio 1957. Come attore e come regista ha operato soprattutto negli S. U. A. e in Francia, raggiungendo notevolissimi successi.

  7. Incidentally, the film sparked renewed interest in Queen Kelly – scenes of which appear as an example of Desmond's former glory – and poignantly reflect back that extra dimension of veracity which von Stroheim himself deemed so vital to art. In the end, his life and legend could be one of the most fascinating epics he crafted.