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  1. 17 nov 2023 · Share your videos with friends, family, and the world

    • 4Ogreen
    • 39It Doesn’T Have to Be, Erasure
    • 38The Echoes, Clarke:Hartnoll
    • 37Dead of Night, Erasure
    • 36Hallowed Ground, Erasure
    • 35World Be Gone, Erasure
    • 34Take Me Back, Erasure
    • 33Dreaming of Me, Depeche Mode
    • 32Hideaway, Erasure
    • 31Photographic, Depeche Mode

    Ware-Clarke’s 2011 album Spectrum Pursuit Vehicle borrowed its name from the futuristic tank-like vehicle seen in Captain Scarlet, and its ethereal synthscapes explore locations from forests to the beach, heaven and inside the womb. Celestial choral pads, flowing water, even birdsong… it’s as entrancing as it sounds. Another empyrean Ware-Clarke cr...

    In the wake of Sometimes’ success (UK No.2), this second single from Circus may not have fared quite as well (UK No.12), but it bore a lyrical weight missing from its predecessor’s cheap tales of bedroom ecstasy. It Doesn’t Have To Be set its sights on the injustice of apartheid, with a portion of the track even sung in one of the country’s native ...

    Vince and Orbital’s Paul Hartnoll concocted ‘home house’ as a definition for their one-off album collaboration 2Square, humorously decoded by The Guardian as “electro-pop for dad dancing”. Still, there’s plenty to love even if you’re commandeering the lounge to cut a rug, not least All Out’s funked-up punch with its processed soul timbre by Kenya H...

    The reach-for-the-lasers uplift of Sacred orElevation would perhaps be the obvious picks from Erasure’s The Violet Flame, but for us the album’s curtain-raiser does the business. It’s a masterclass in the manipulation of analog synths, from the repurposed disco of its driving arpeggiated central thread to its sumptuous – slightly eerie – chorus hoo...

    One of our favourite album tracks from our favourite Erasure album, The Innocents, this brings a potent narrative to life as Bell fleshes out the bleakest of scenes: one of bullets on the streets, of teen mothers surviving in poverty, of regretful lives lost to gambling and the bottoms of bottles, with murder almost a part of the everyday. Around t...

    The title track of Erasure’s 17th album is a windswept departure from the high-energy fare, immersed in a broken social and political climate. This simplistic, blissful-yet-mournful synth ballad houses one of Andy’s purest vocals as he evokes scenes of illusions as shattered glass, heads in hands and shadows on empty screens. Still, it’s not all do...

    The briefest moment of discord in the sequencing unbalances before levelling off, Elysian synths rise and swell, and Andy’s arching falsetto pierces the surface with vivid reflections of a blissful childhood: a past of waterfalls, poppies and butterflies, lost in the blink of an eye. 1994’s I Say, I Say, I Say– the tenderest of junctures in Erasure...

    Wonderfully naïve and more than a little wonky, this first Depeche single proper may be a postcard from the early 80s but it still very much stands up to scrutiny. Having just inked their first deal with Mute, the Basildon teens likely disappointed their new boss, managing only to sneak into the lower section of the charts (surely the reason this n...

    Just as Bronski Beat nailed bitter isolation with their salient synth-epic Smalltown Boy, so Erasure actualised their own indelible portrayal of a boy coming out as gay in an era of debilitating fear and alienation. The protagonist yearns for his father’s touch and grieves his mother’s lost pride over popping synths, deft orchestral augmentations a...

    It would be remiss of us not to laud the record that started it all for the fresh-faced Basildon boys – and Vince himself. Not that it isn’t utterly brilliant, of course. With a Korg Rhythm 55 unit beating at its heart, Clarke’s pulsing blastoff moment featured on Some Bizzare’s legendary compilation album, the wonderfully unrefined collection that...

  2. Songs of Silence is a studio album by British electronic musician Vince Clarke, released through Mute Records on 17 November 2023. It has received positive reviews from critics. The album was recorded during the COVID-19 pandemic with Clarke building all songs around a modular synthesizer.

  3. 17 nov 2023 · Favorite track: Red Planet. seven seven zero going full dead can dance...a darker-introspective side of mr. clarke? more... The Lamentations of Jeremiah 00:00 / 04:23. Digital Album. Streaming + Download. Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more. Buy Digital Album. $9.99 USD.

  4. it.wikipedia.org › wiki › Vince_ClarkeVince Clarke - Wikipedia

    Vince Clarke, nome d'arte di Vincent John Martin (Basildon, 3 luglio 1960), è un tastierista e compositore britannico. È stato il fondatore, nonché il primo leader e il primo autore delle canzoni del gruppo musicale dei Depeche Mode .