2011
Risultati di ricerca
Personal life. References. External links. Yuen Biao (born Ha Lingchun; 26 July 1957) is a Hong Kong actor, martial artist and stuntman. He specialises in acrobatics and Chinese martial arts and has also worked on over 80 films as actor, stuntman and action choreographer.
He is an avid golfer. See the events in life of Yuen Biao in Chronological Order. Yuen Biao is a seasoned Hong-Kong actor, stunt director, action choreographer, and a martial artist. This biography profiles his childhood, family, personal life, career, birthday, etc.
Yuen Biao è anche riconoscibile come uno dei due monaci armati di bastone che combattono nel tempio in L'ultima sfida di Bruce Lee ( Tower of Death/Game of Death 2, 1980), sequel apocrifo del summenzionato Game of Death . L'occasione di farsi conoscere viene dall'amico ed ex compagno di scuola Sammo Hung, il quale lo chiama a lavorare con lui.
1 dic 2022 · Biao starred, he produced, he directs, and he even set up his own production company (Yuen Biao Productions Ltd.) which didn’t produce anything outside of this one movie. Compared to his Peking Opera brothers Biao was decidedly late to the directing game, with Sammo Hung first directing himself in 1977’s The Iron Fisted Monk , and Jackie Chan doing the same with 1979’s The Fearless Hyena .
One of the Seven Little Fortunes with Jackie Chan, Sammo Hung, Corey Yuen, Yuen Wah, Yuen Tak and Yuen Miu After working with Jackie and Sammo in several popular action movies, Golden Harvest film company tried to make him a star with "Righting Wrongs" (1986) which became the first of several personal projects produced by himself, as "Kickboxer" or "A Kid from Tibet", his directorial debut.
And now he is receiving a cult following due to word of mouth. Born of his parents Ha Kwong-Tai (father) and Ha Sau-Ying. Yuen Biao was first enrolled in the China Drama Academy at the age of 5 (he was the youngest there). He met Sammo Kam-Bo Hung and Jackie Chan while attending the Academy.
Quando si parla di un film si tende spesso a sottovalutare o addirittura a dimenticare il lavoro di chi non compare nella pellicola come attore "recitante".
