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  1. Charles Barry ( Londra, 23 maggio 1795 – Londra, 12 maggio 1860) è stato un architetto inglese, famoso soprattutto per il suo ruolo nella ricostruzione, a metà del XIX secolo, del Palazzo di Westminster di Londra . Indice. 1 Biografia. 1.1 Anni giovanili. 1.2 Carriera architettonica. 1.3 Palazzo di Westminster. 2 Vita privata. 3 Note.

  2. Sir Charles Barry FRS RA (23 May 1795 – 12 May 1860) was a British architect, best known for his role in the rebuilding of the Palace of Westminster (also known as the Houses of Parliament) in London during the mid-19th century, but also responsible for numerous other buildings and gardens.

  3. 9 mag 2024 · Sir Charles Barry (born May 23, 1795, London, Eng.—died May 12, 1860, London) was one of the architects of the Gothic Revival in England and chief architect of the British Houses of Parliament. The son of a stationer, Barry was articled to a firm of surveyors and architects until 1817, when he set out on a three-year tour of France ...

    • The Editors of Encyclopaedia Britannica
  4. Charles Barry (Londres, 23 de mayo de 1795 – 12 de mayo de 1860) fue un arquitecto inglés, conocido por su participación en la reconstrucción del Palacio de Westminster en la primera mitad del siglo XIX. Diseñó también otros edificios y jardines.

  5. Sir Charles Barry (23 mai 1795 – 12 mai 1860) est un architecte britannique du XIX e siècle, notamment connu pour avoir entrepris la reconstruction du palais de Westminster dans sa ville natale de Londres. Il a néanmoins à son actif de nombreux autres bâtiments ou jardins.

  6. Sir Charles Barry was a renowned British architect whose most significant contribution to British heritage was his role in the rebuilding of the Palace of Westminster, also known as the Houses of Parliament, in London during the mid-19th century.

  7. La National Gallery venne edificata nell'area a nord della piazza tra il 1832 ed il 1838 su progetto di William Wilkins: quando quest'ultimo tuttavia morì, la costruzione del complesso venne affidata a Charles Barry, che incrementò l'impatto monumentale che il museo avrebbe dovuto avere sulla piazza (anche mediante la creazione di una terrazza).