Risultati di ricerca
24 dic 2003 · Posted December 25, 2003. The March/April 1994 issue of American Photo is devoted to Avedon. On page 82 you will find: "Film is just as basic. For 21/4, Plus-X (rated at E.I. 80) is Avedon's choice. ... Professional Tri-X (rated at E.I. 200) is the standard for Avedon's 8x10 work." Further down on the page:
30 lug 1999 · On page 81 of that issue an article. regarding Avedon's technique states, "For 8 x 10 work, which is done. with either a 360 mm f/6.8 Schneider Symmar-S or a 360 mm f/6.3. Fujinon-W lens, Avedon relies on an aging Sinar P1; on location, a. collapsible Deardorff wooden field camera fills in for the Sinar.
30 nov 2004 · Some of Avedon's signature style is in the lighting, but some happens in the printing. Study the catchlights in the eyes to get a sense of the lighting. As Ellis said, it varies. If you have access to back issues of the New Yorker over the last few years, there are a lot of great, more recent Avedon photos in there.
11 set 2009 · <p>I am wondering if anyone knows how he fully illuminates his subjects while keeping any highlights out of their eyes. The following is my theory as to how many of his images were captured. Please let me know what you think as well as how you would improve or experiment.</p> <p>...
26 giu 2007 · I really like the avedon look. Let's say I take a great picture in good light against a seamless background in a similar style to Richard Avedon during the American West period (hypothetically, since for me that's really hard to do). The capture part is there on a d70 as best as the range will do...
20 apr 2004 · I was thinking earlier today about Richard Avedon. In a photography class I recently completed we watched a tape about him. One segment showed how he would set up his white back drop in the middle of nowhere and photograph, well, ugly farmhands and backwoods kinds of people. Then I thought of the...
8 giu 2010 · Richard Avedon also seemed to do fine with a Rollei too ;)</p> </blockquote> <p>Yeah, the key there is "Richard Avedon", not "Rollei", or even TLRs. To paraphrase a famous quote: "I knew (not) Richard Avedon. I served (not) with Richard Avedon, Richard Avedon was (not) a friend of mine. Chuk, I am no Richard Avedon."
2 mar 2005 · white. Like I mentioned in the title, I feel like the Richard Avedon . look should be exactly what I'm looking for on this. My question is: which film is best for something like that? I bought . some Ilford ISO100 in 120 and now I'm wondering if that will be fast . enough. I don't mind a lot of contrast, but not so much that I lose . detail of ...
5 dic 2005 · Olmstead Project (OP). The OP was a compilation of photographs by. Robert Burley, Geoffrey James, and Friedlander on Olmstead designed. parks. Friedlander: The reason I started using the H bld SWC was that I was having some. kind of congenital problem w/ WA lens [Leica] is the desert, probably. b/c those lenses were designed for flat surfaces ...
22 set 1997 · I read that Richard Avedon's favors his 80 mm planar for almost all of his photography. It, the 80 mm Planar, happens to sit on a Rolleiflex though (a whole bunch of preloaded Rolleiflexes, to be more accurate). For us ambivalent creatures who cannot decide which film to use for the next 12 frames it's a blessing with the H-Blad film backs.
