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Ashes in the Brittle Air è il terzo album in studio del gruppo darkwave statunitense Black Tape for a Blue Girl, pubblicato nel 1989. Tracce. Ashes in the Brittle Air – 4:01; Across a Thousand Blades – 3:40; The Touch and the Darkness – 2:58; Through Sky Blue Rooms – 1:36; The Scar of a Poet – 7:29; You Tangle Within Me – 4:25
Lo stile musicale dei Black Tape for a Blue Girl è spesso descritto come darkwave, [1] [3] [4] anche se il loro repertorio attinge molto anche dalla musica classica, da quella sacra, dal folk e dal krautrock [11]. La loro musica è generalmente composta di un sottofondo sonoro realizzato da lunghi bordoni di tastiere e da vari strumenti per lo ...
Ashes in the Brittle Air is the third album by the gothic darkwave band Black Tape for a Blue Girl. It was released in 1989 by Projekt Records and contains one of their best known songs, "Across a Thousand Blades" sung by Oscar Herrera. Track listing "Ashes in the Brittle Air" — 4:01 "Across a Thousand Blades" — 3:40
View credits, reviews, tracks and shop for the 1989 CD release of "Ashes In The Brittle Air" on Discogs.
Ashes. Ashes / Our souls drift like ashes in the brittle air.....through the brittle air / Hold out your hands. Afraid to hold out for what you need... / But see, see what you need
Summary. Gothic music was virtually reinvented by Black Tape For A Blue Girl, the brainchild of Projekt's founder Sam Rosenthal. Mesmerized By The Sirens (1987) was the manifesto of his electronic chamber music, while Ashes In The Brittle Air (1989) signaled Rosenthal's increasing reliance on electronic keyboards.
After a three-year hiatus, Black Tape for a Blue Girl resurfaced in 1996 with the EP The First Pain to Linger, a disc packaged with a novel authored by Rosenthal; the full-length epic Remnants of a Deeper Purity appeared that same year, followed in 1998 by As One Aflame Laid Bare by Desire. Before the Buildings Fell appeared in early 2000.
