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  1. Anthony William Landon Asquith ( Londres, 9 de noviembre de 1902- Londres, 20 de febrero de 1968) fue un director cinematográfico británico, hijo de Herbert Henry Asquith, primer ministro durante la I Guerra Mundial, y de Margot Asquith . Se educó en el Winchester College y en el Balliol College de Oxford. Su primer éxito fue Pygmalion ...

  2. This is the first comprehensive critical study of Anthony Asquith. Ryall sets the director's work in the context of British cinema from the silent period t...

  3. 8 gen 2013 · Anthony Asquith's Underground (1928) is part thriller, part time capsule: a riveting film from one of the silent era's most ambitious British directors, and an intriguing portrait of 1920s London.

    • 2 min
    • Pamela Hutchinson
  4. 6 feb 2003 · Geoffrey Macnab. Wed 5 Feb 2003 20.43 EST. P osterity has not been kind to Anthony Asquith. If he is remembered at all today, it is as much for his family connections as for his movies. He was the ...

  5. 19 lug 2013 · This is the first comprehensive critical study of Anthony Asquith. Ryall sets the director's work in the context of British cinema from the silent period to the 1960s, examining the artistic and cultural influences which shaped his films.Asquith's silent films were compared favourably to those of his eminent contemporary Alfred Hitchcock, but his career faltered during the 1930s.

  6. Anthony Asquith (9 November 1902 –20 February 1968) was a leading English film director. He collaborated successfully with playwright Terence Rattigan on The Winslow Boy (1948) and The Browning Version (1951), among other adaptations. His other notable films include Pygmalion (1938), French Without Tears (1940), The Way to the Stars (1945 ...

  7. Oscar Wilde’s comic jewel sparkles in Anthony Asquith’s film adaptation of The Importance of Being Earnest. Featuring brilliantly polished performances by Michael Redgrave, Joan Greenwood, and Dame Edith Evans, the enduringly hilarious story of two young women who think themselves engaged to the same nonexistent man is given the grand Technicolor treatment.