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  1. 6 gen 2020 · Few performers captured the heights of 1960s and 70s European art cinema as totally as Delphine Seyrig.Born in Beirut in 1932, the French star brought a sense of enigmatic glamour and intelligence to films by many of the most celebrated continental directors of the time, including Alain Resnais, Marguerite Duras, François Truffaut, Chantal Akerman and Luis Buñuel.

  2. Info su Delphine Seyrig biografia filmografia discografia video foto citazioni curiosità frasi celebri news carriera

  3. 7 apr 2022 · Seyrig and Roussopoulos hit it off, and in 1975, they teamed up with translator Ioana Wieder to found a collective, Les Insoumuses. The name is a play on the French words for “insubordinate” and “muses,” and as Esmé Hogeveen wrote in her review of Callisto McNulty’s 2019 documentary Delphine and Carole for the Brooklyn Rail, Les Insoumuses “aptly describes the witty spirit behind ...

  4. Delphine Seyrig, Maria Schneider and Carole Roussopoulos during the shooting of Sois belle et tais-toi, 1975. Delphine Seyrig (10 April 1932, Beirut, Greater Lebanon – 15 October 1990, Paris, France) is best known for the roles she played in French auteur cinema, most notably in Alain Resnais’ Last Year at Marienbad (1961), where she became the symbol of an idealized and sophisticated ...

  5. Delphine Seyrig on feminism. 1974. Watch this video on YouTube Bevor Sie dieses Video wiedergeben, werden keinerlei Daten an YouTube übermittelt.Mit Klick auf den Wiedergabe-Button erteilen Sie Ihre Einwilligung darin, dass Youtube auf dem von Ihnen verwendeten Endgerät Cookies setzt.

  6. Delphine Seyrig spielt die Schurkin Dr. Mabuse: Die Chefin eines Medienkonzerns will eine Persönlichkeit schaffen, mit der sie die Berichte der Boulevard-Presse steuern und Profit machen kann. Der Plan lautet, den jungen, reichen und schönen Dorian Gray für die Öffentlichkeit aufzubauen, ihn zu verführen und schließlich zu vernichten.

  7. Delphine Seyrig (1932–1990) contributed her profound intelligence, professional expertise, and sublime beauty to some of the most memorable films of the twentieth century. One can argue that her pitch-perfect performances were fundamental to the enduring success of François Truffaut’s Stolen Kisses, Marguerite Duras’s India Song, Chantal Akerman’s Jeanne Dielman, 23 quai du Commerce ...