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  1. 10 mag 2021 · Alice Guy-Blaché finally decided she’d had enough of the stalemate. In 1910, she founded Solax Studios and took over an under-utilized New York facility. Solax began cranking out two one-reelers per week. To date, Guy is the only woman to have owned a movie studio. Alice in Filmland. Solax became the largest pre-Hollywood studio in America.

  2. 2 mar 2023 · Alice Guy: la prima regista donna della storia del cinema e pioniera del cinema muto francese. Nel marzo del 1895 i fratelli Auguste e Louis Lumière organizzarono le prime proiezioni private di L’uscita dalle officine Lumière (la prima pellicola della storia) destinate agli addetti ai lavori: tra questi vi era Alice Guy – allora segretaria nell’impresa fotografica di Léon Gaumont ...

  3. 24 ago 2019 · In pochi conoscono il suo nome, ma Alice Guy-Blaché è stata una vera pioniera. Con centinaia di film all'attivo, ha contribuito a trasformare la tecnologia delle immagini in movimento in un'arte.

  4. 27 mar 2021 · Alice was a multi-talented filmmaker: she directed, produced, wrote and oversaw the creation of hundreds of films. More than 20 of these were feature-length. She was also a pioneer with the topics covered in her films. She explored the idea of marriage as an equal partnership in Matrimony’s Speed Limit (1913) and reversed gender roles in In ...

  5. 2 giorni fa · Alice Guy Directs a “Phonoscène” (1906), 2:02 min. Félix Mayol Performs “Indiscreet Questions” (Questions indiscrètes) (1906), 3:21 min. Automated Hat-Maker and Sausage-Grinder (Chapellerie et charcuterie mécaniques) (1900) – 1:06 min. The Consequences of Feminism (Les Résultats du féminisme) (1906) – 7:39 min.

  6. 14 mag 2023 · Léon si fa accompagnare dalla sua segretaria, la ventiduenne Alice Guy, occhi profondi e attenti, volto modernissimo, capelli neri, figura slanciata. I due escono entusiasti, ma è Alice a intuire il futuro di un’invenzione con cui si possono narrare storie e non solo riprendere il mondo in movimento.

  7. This book provides a close analysis of the one hundred Guy Blaché films that survive, and in the process rewrites early cinema history. Alison McMahan is the author of the award-winning Alice Guy Blaché, Lost Visionary of the Cinema (Bloomsbury, 2002) and The Films of Tim Burton: Animating Live Action in Hollywood (Bloomsbury, 2005).

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