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  1. 24 set 2015 · 99 Homes review – chillingly topical eviction drama. I t so happens that this film gets its release here just as high-risk, high-yield mortgage bonds are making a cheeky comeback in the US. The ...

    • 4 min
    • Peter Bradshaw
  2. 99 Homes est un film de Ramin Bahrani. Synopsis : Rick Carver, homme d’affaires à la fois impitoyable et charismatique, fait fortune dans la saisie de biens immobiliers...

  3. Ramin Bahrani. Besetzung. Andrew Garfield: Dennis Nash. Michael Shannon: Rick Carver. Tim Guinee: Frank Greene. Laura Dern: Lynn Nash. Noah Lomax: Connor Nash. Clancy Brown: Mr. Freeman. 99 Homes – Stadt ohne Gewissen (Originaltitel: 99 Homes) ist ein US-amerikanisches Filmdrama von Regisseur Ramin Bahrani aus dem Jahr 2014 .

  4. 29 ago 2014 · Un film sulla crisi superficiale e scontato che nemmeno il carismatico Michael Shannon riesce a salvare 29.08.2014 - Autore: Marco Triolo, da Venezia Un maldestro tentativo di parlare delle conseguenze della crisi nella società americana, 99 Homes finisce per essere più che altro un clone malriuscito di Wall Street e decine di altre storie “dalle stalle alle stelle” tipiche del cinema ...

  5. www.metacritic.com › movie › 99-homes99 Homes - Metacritic

    25 set 2015 · 99 homes sit on a street- 99 homes on a street -if one of them haps to foreclose -98 homes before I doze. Greed and corruption and the American dream should make for an exciting blueprint - like Boiler Room and Margin Call. But once you’ve seen the opening five minutes of this film - there’s nothing to phone home about.

  6. Film 99 Homes Ramin Bahrani. CRITICA "Film bifronte, appassionante e teso per due terzi, scontato e prevedibile nel finale, '99 Homes' (99 case) racconta l'America che fu messa in ginocchio dalla crisi dei subprime.

  7. 25 set 2015 · Like Panahi, he is a humanist. The dignity of the individual is all. "99 Homes" is a ferocious excavation of the meaning of home, the desperation attached to real estate, the pride of ownership and the stability of belonging. The pace never lets up. Once a person slips below the mainstream, it is nearly impossible to gain a foothold again.