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  1. When serious musician Doom (Alan Cammish), and the free-spirited aspiring circus clown Glitter (Alex Diaz) meet on the dance floor of a sweaty night club, this summer romance musical is on. Doom aspires to play on the stage at his favourite queer bar; Glitter has recently graduated from an Ivy League but is desperate to get into clown college.

  2. 8 mar 2024 · An infectious musical fantasia, “Glitter & Doom” is a sweet romance about the title characters, Glitter (Alex Diaz). who wants to run away and join the circus, and Doom (Alan Cammish), who dreams of performing his music at a local nightclub. The guys meet cute at a club and perform many catchy musical numbers. (The film’s songs are all ...

  3. 28 set 2023 · The film is a jukebox musical of Indigo Girls songs, following a love story between a musician (Doom) and free-spirited circus performer (Glitter). From director Tom Gustafson and writer Cory Krueckeberg, “Glitter & Doom” unravels in a world that feels set somewhere outside of time and space – a colorful, fantastical world that’s more interested in emotionality than anything else.

  4. Synopsis. Serious musician Doom and free-spirited circus kid Glitter start a budding summer relationship filled with camping trips, late-night conversations, and plenty of song and dance. Their relationship is put to the test as they deal with trying to make it in the music biz, their mothers, and finding what feeds each of their souls and dreams.

    • 116 min
  5. www.youtube.com › @GLITTERandDOOMmusicalGLITTER + DOOM - YouTube

    A Queer Love Movie-Musical about a singer and a clown. As told through the music of the Indigo Girls. #GlitterAndDoomMusical

  6. 20 dic 2023 · Glitter & Doom” premiered as the closing night film at InsideOut Toronto. It went on to play gala slots at more than 50 LGBTQ+ festivals around the world. Music Box is planning a March 8 ...

  7. 7 mar 2024 · Glitter & Doom” doesn’t yearn for some older time. It’s pure time-warp: a gay musical-love-dramedy that could’ve screened all summer at the old Philadelphia art house where I used to work, plunked amid the queer independent-filmmaking bonanza that helped make the early-to-mid-1990s seem like every gay thing was possible.