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  1. Synopsis. THE MAN WHO WAS THURSDAY is inspired by the existentialist novel of the same name by G.K. Chesterton (1908). The novel is considered a metaphysical thriller, and our film could be considered the same, though it also can be thought of in more classical cinematic terms a psychological and supernatural thriller. Cast. Crew. Details. Genres.

  2. 21 giu 2016 · 2016 Mystery, Thriller · 1h 35m. THE MAN WHO WAS THURSDAY is inspired by the existentialist novel of the same name by G.K. Chesterton (1908). The novel is considered a metaphysical thriller, and our film could be considered the same, though it also can be thought of in more classical cinematic terms a psychological and supernatural thriller.

  3. The film follows Father Smith on his Faustian descent into the Roman underworld. Following a disgraceful turn at his local parish, Smith is called to Rome for spiritual rehabilitation. Upon his arrival, Charles, the man who introduced him to the faith, reveals the real reason Smith was brought to Rome - to go underground and ascertain the mysterious leader of an anarchist group of renegades.

  4. 21 giu 2016 · 342 618. The Man Who Was Thursday: A filmet G.K. Chesterton azonos című regénye ihlette. Ez a metafizikai thriller egy pap alászállásáról szól a római alvilágba. A helyi gyülekezetben történt fenforgást követően Smith atyát hazaszólítja az anyaszentegyház, hogy lelki segítséget nyújts...

  5. The Man Who Was Thursday: With Harold Scott, Wilfred Fletcher, Don Gemmell, Campbell Singer. A poet working as a police spy infiltrates a group of anarchists, only to find that they're not what they seem to be.

  6. Upon Father Smith’s arrival to Rome, Charles reveals his mission: to go underground and ascertain the mysterious leader of an anarchist group of renegades. Smith accepts it and unearths the true leader of the group and redeems himself but not before experiencing a litany of mind-bending twists.

  7. Synopsis. THE MAN WHO WAS THURSDAY is inspired by the existentialist novel of the same name by G.K. Chesterton (1908). The novel is considered a metaphysical thriller, and our film could be considered the same, though it also can be thought of in more classical cinematic terms a psychological and supernatural thriller.

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