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  1. www.independent.co.uk › arts-entertainment › musicGhostpoet: ‘When we are finally let out, it’s going to be the...

    30 apr 2020 · Ghostpoet offers ornate compositions on his fifth album After three years, Ejimiwe reluctantly moved back to London last December, citing family issues. Yet his experiment by the sea seemed to ...

    • 4 min
    • Ben Olsen

  2. soundcloud.com › ghostpoetStream Ghostpoet music | Listen to songs, albums ... - SoundCloud

    Play Ghostpoet and discover followers on SoundCloud | Stream tracks, albums, playlists on desktop and mobile.

  3. www.youtube.com › watchGhostpoet - Meltdown (Official Video) - YouTube

    10 apr 2013 · 'Meltdown' is the first single from Ghostpoet's sophomore album 'Some Say I So I Say Light'. The album is available now from here: http://www.ghostpoet.co.uk...

    • 4 min
    • 828,9K
    • Ghostpoet

  4. www.youtube.com › watchGhostpoet - Survive It (Official Video) - YouTube

    31 mar 2011 · Official video directed by UNKNOWN.http://www.ghostpoet.co.ukhttp://www.facebook.com/ghostpoetfbhttp://www.soundcloud.com/ghostpoethttp://www.twitter.com/gho...

    • 4 min
    • 1,3M
    • Ghostpoet

  5. music.apple.com › us › artist‎Ghostpoet - Apple Music

    10 mag 2024 · About Ghostpoet. Ghostpoet (Obaro Ejimiwe) is a British vocalist, songwriter, and musician whose material brims with drowsy anxiety. Active since the late 2000s, his releases include the Mercury Prize-nominated albums Peanut Butter Blues & Melancholy Jam (2011) and Shedding Skin (2015), the U.K. Top 40 entry Dark Days + Canapés (2017), and I ...

  6. genius.com › artists › GhostpoetGhostpoet Lyrics, Songs, and Albums | Genius

    6 mag 2013 · Ghostpoet’s second album, Some Say I So I Say Light, was released on 6 May 2013. His third album, Shedding Skin, was released on 2 March 2015 and includes a feature from Etta Bond.

  7. www.theguardian.com › music › ghostpoetGhostpoet | Music | The Guardian

    Ghostpoet review – claustrophobic and utterly compelling 4 out of 5 stars. The rapper’s brittle, anxious interior monologues should see him cross over to a wider audience, writes Ian Gittins